Sonnet O Poverty Though From Thy Haggard Eye

O, Poverty! though from thy haggard eye,
Thy cheerless mien, of every charm bereft,
Thy brow that Hope's last traces long have left,
Vain Fortune's feeble sons with terror fly;
I love thy solitary haunts to seek.
For Pity, reckless of her own distress;
And Patience, in her pall of wretchedness,
That turns to the bleak storm her faded cheek;
And Piety, that never told her wrong;
And meek Content, whose griefs no more rebel;
And Genius, warbling sweet her saddest song;
And Sorrow, listening to a lost friend's knell,


Sonnet Languid, And Sad, And Slow, From Day To Day

Languid, and sad, and slow, from day to day
I journey on, yet pensive turn to view
(Where the rich landscape gleams with softer hue)
The streams and vales, and hills, that steal away.
So fares it with the children of the earth:
For when life's goodly prospect opens round,
Their spirits beat to tread that fairy ground,
Where every vale sounds to the pipe of mirth.
But them vain hope and easy youth beguiles,
And soon a longing look, like me, they cast
Back on the pleasing prospect of the past:


Sonnet July 18th 1787

O Time! who know'st a lenient hand to lay
Softest on sorrow's wound, and slowly thence
(Lulling to sad repose the weary sense)
The faint pang stealest unperceived away;
On thee I rest my only hope at last,
And think, when thou hast dried the bitter tear
That flows in vain o'er all my soul held dear,
I may look back on every sorrow past,
And meet life's peaceful evening with a smile—
As some lone bird, at day's departing hour,
Sings in the sunbeam, of the transient shower
Forgetful, though its wings are wet the while:—


Sonnet At Dover Cliffs, July 20th 1787

On these white cliffs, that calm above the flood
Uplift their shadowing heads, and, at their feet,
Scarce hear the surge that has for ages beat,
Sure many a lonely wanderer has stood;
And whilst the lifted murmur met his ear,
And o'er the distant billows the still eve
Sailed slow, has thought of all his heart must leave
Tomorrow; of the friends he loved most dear;
Of social scenes, from which he wept to part;
But if, like me, he knew how fruitless all
The thoughts that would full fain the past recall,


Sonnet XXXVII Dear, Why Should You

Dear, why should you command me to my rest
When now the night doth summon all to sleep?
Methinks this time becometh lovers best;
Night was ordain'd, together friends to keep;
How happy are all other living things
Which through the day disjoin by sev'ral flight,
The quiet ev'ning yet together brings,
And each returns unto his love at night.
O thou, that art so courteous else to all,
Why shouldst thou, Night, abuse me only thus,
That ev'ry creature to his kind dost call,
And yet 'tis thou dost only sever us?


Sonnet XXXVII Pardon, Oh, Pardon

Pardon, oh, pardon, that my soul should make,
Of all that strong divineness which I know
For thine and thee, an image only so
Formed of the sand, and fit to shift and break.
It is that distant years which did not take
Thy sovranty, recoiling with a blow,
Have forced my swimming brain to undergo
Their doubt and dread, and blindly to forsake
Thy purity of likeness and distort
Thy worthiest love to a worthless counterfeit:
As if a shipwrecked Pagan, safe in port,
His guardian sea-god to commemorate,


Sonnet XXXVIII How Can My Muse Want Subject to Invent

How can my muse want subject to invent,
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O! give thy self the thanks, if aught in me
Worthy perusal stand against thy sight;
For who's so dumb that cannot write to thee,
When thou thy self dost give invention light?
Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.


Sonnet The Ghosts Of James And Peirce In Harvard Yard

In memory of D. W. Prall


The ghosts of James and Peirce in Harvard Yard
At star-pierced midnight, after the chapel bell
(Episcopalian! palian! the ringing soared!)
Stare at me now as if they wish me well.
In the waking dream amid the trees which fall,
Bar and bough of shadow, by my shadow crossed,
They have not slept for long and they know all,
Know time's exhaustion and the spirit's cost.

"We studied the radiant sun, the star's pure seed:
Darkness is infinite! The blind can see


Sonnet O City, City

To live between terms, to live where death
has his loud picture in the subway ride,
Being amid six million souls, their breath
An empty song suppressed on every side,
Where the sliding auto's catastrophe
Is a gust past the curb, where numb and high
The office building rises to its tyranny,
Is our anguished diminution until we die.

Whence, if ever, shall come the actuality
Of a voice speaking the mind's knowing,
The sunlight bright on the green windowshade,
And the self articulate, affectionate, and flowing,


Sonnet At Ostend, July 22nd 1787

How sweet the tuneful bells' responsive peal!
As when, at opening morn, the fragrant breeze
Breathes on the trembling sense of wan disease,
So piercing to my heart their force I feel!
And hark! with lessening cadence now they fall,
And now, along the white and level tide,
They fling their melancholy music wide,
Bidding me many a tender thought recall
Of summer-days, and those delightful years
When by my native streams, in life's fair prime,
The mournful magic of their mingling chime


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