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So set its Sun in Thee
What Day be dark to me—
What Distance—far—
So I the Ships may see
That touch—how seldomly—
Thy Shore?

When shall I hear the thrushes sing,
And see their graceful, round throats swelling?
When shall I watch the bluebirds bring
The straws and twiglets for their dwelling?
When shall I hear among the trees
The little martial partridge drumming?
Oh! Hasten! Sights and sounds that please –
The summer is so long in coming.

The winds are talking with the sun;
I hope they will combine together
And melt the snow-drifts, one by one,
And bring again the golden weather.
Oh, haste, make haste, dear sun and wind,

So breaks the sun earth's rugged chains,
Wherein rude winter bound her veins;
So grows both stream and source of price,
That lately fettered were with ice.
So naked trees get crisped heads,
And colored coats the roughest meads,
And all get vigor, youth, and spright,
That are but looked on by his light.

To the Memory of the Household It Describes
This Poem is Dedicated by the Author:

"As the Spirits of Darkness be stronger in the dark, so Good Spirits,which be Angels of Light, are augmented not only by the Divine lightof the Sun, but also by our common Wood Fire: and as the CelestialFire drives away dark spirits, so also this our Fire of Wood doth thesame." -- Cor. Agrippa, Occult Philosophy,

Book I.ch. v.

"Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air

No breath of wind,
No gleam of sun –
Still the white snow
Whirls softly down
Twig and bough
And blade and thorn
All in an icy
Quiet, forlorn.
Whispering, rustling,
Through the air
On still and stone,
Roof, - everywhere,
It heaps its powdery
Crystal flakes,
Of every tree
A mountain makes;
‘Til pale and faint
At shut of day
Stoops from the West
One wint’ry ray,
And, feathered in fire
Where ghosts the moon,
A robin shrills
His lonely tune.

Light-winged Smoke, Icarian bird,
Melting thy pinions in thy upward flight,
Lark without song, and messenger of dawn
Circling above the hamlets as they nest;
Or else, departing dream, and shadowy form
Of midnight vision, gathering up thy skirts;
By night star-veiling, and by day
Darkening the light and blotting out the sun;
Go thou my incense upward from this hearth,
And ask the gods to pardon this clear flame.

Can you imagine the air filled with smoke?
It was. The city was vanishing before noon
or was it earlier than that? I can't say because
the light came from nowhere and went nowhere.
This was years ago, before you were born, before
your parents met in a bus station downtown.
She'd come on Friday after work all the way
from Toledo, and he'd dressed in his only suit.

Back then we called this a date, some times
a blind date, though they'd written back and forth
for weeks. What actually took place is now lost.

In the night there are of course the seven wonders
of the world and the greatness tragedy and enchantment.
Forests collide with legendary creatures hiding in thickets.
There is you.
In the night there are the walker's footsteps the murderer's
the town policeman's light from the street lamp and the ragman's lantern
There is you.
In the night trains go past and boats
and the fantasy of countries where it's daytime. The last breaths
of twilight and the first shivers of dawn.
There is you.
A piano tune, a shout.
A door slams. A clock.

By day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

And then I said, That's what it means
to testify: to sit in the locked dark muttering
when you should be dead to the world. The muse
just shrugged and shaded his blue eyes. So naturally
I followed him down to his father's house
by the river, a converted factory in the old
industrial park: somewhere to sit
on threadbare cushions eating my words
and his promises, safe as milk
that dries the throat. If I had a home,
he'd be that unmade bed. He's my America
twisted in dirty sheets, my inspiration
for a sleepless night. No getting around that