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Skin of Light

The skin of light enveloping this world lacks depth and I can actually see the black night of all these
similar bodies beneath the trembling veil and light of myself it is this night that even the mask of the
sun cannot hide from me I am the seer of night the auditor of silence for silence too is dressed in
sonorous skin and each sense has its own night even as I do I am my own night I am the conceiver
of non-being and of all its splendor I am the father of death she is its mother she whom I evoke

Skeeta An Old Servant's Tale

Our Skeeta was married, our Skeeta! the tomboy
and pet of the place,
No more as a maiden we'd greet her, no more
would her pert little face
Light up the chill gloom of the parlour; no more
would her deft little hands
Serve drinks to the travel-stained caller on his way
to more southerly lands;
No more would she chaff the rough drovers and
send them away with a smile,
No more would she madden her lovers, demurely,
with womanish guile -
The "prince" from the great Never-Never, with
light touch of lips and of hand

Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,

Six Feet Of Sod

This is the end of all my ways,
My wanderings on earth,
My gloomy and my golden days,
My madness and my mirth.
I've bought ten thousand blades of grass
To bed me down below,
And here I wait the days to pass
Until I go.

Until I bid good bye to friend,
To feast and fast goodbye,
And in a stint of soil the end
I seek of sun and sky.
My farings far on land and sea,
My trails of global girth
Sum up to this,--to cover me
Six feet of earth.

Sister, Awake, Thomas Bateson's First Set of English Madrigals

SISTER, awake! close not your eyes!
   The day her light discloses,
And the bright morning doth arise
   Out of her bed of roses.

See the clear sun, the world's bright eye,
   In at our window peeping:
Lo, how he blusheth to espy
   Us idle wenches sleeping!

Therefore awake! make haste, I say,
   And let us, without staying,
All in our gowns of green so gay
   Into the Park a-maying!

Sirena

NEAR to the silver Trent
   SIRENA dwelleth;
She to whom Nature lent
   All that excelleth;
By which the Muses late
   And the neat Graces
Have for their greater state
   Taken their places;
Twisting an anadem
   Wherewith to crown her,
As it belong'd to them
   Most to renown her.
   On thy bank,
   In a rank,
   Let thy swans sing her,
   And with their music

Sir Raymond of the Castle

[The following little Poems are written after the Model of the Old English Ballads, and are inscribed to those who admire the simplicity of that kind of versification.]


NEAR GLARIS, on a mountain's side,
Beneath a shad'wy wood,
With walls of ivy compass'd round,
An ancient Castle stood.

By all rever'd, by all ador'd,
There dwelt a wealthy dame;
One peerless daughter bless'd her age,
A maid of spotless fame !

While one fair son, a gallant boy,
Whose VIRTUE was his shield,
Led on the dauntless sons of war,

Sir Humphrey Gilbert

Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.
His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.
His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o'er the main.

Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,
Then, alas! the land-wind failed.

Since First I saw your Face, Thomas Ford's Music of Sundry Kinds

SINCE first I saw your face I resolved to honour and renown ye;
If now I be disdained I wish my heart had never known ye.
What? I that loved and you that liked, shall we begin to wrangle?
No, no, no, my heart is fast, and cannot disentangle.

If I admire or praise you too much, that fault you may forgive me;
Or if my hands had stray'd but a touch, then justly might you leave
me.
I ask'd you leave, you bade me love; is 't now a time to chide me?
No, no, no, I'll love you still what fortune e'er betide me.

Silently She's Combing

Silently she's combing,
Combing her long hair
Silently and graciously,
With many a pretty air.

The sun is in the willow leaves
And on the dappled grass,
And still she's combing her long hair
Before the looking-glass.

I pray you, cease to comb out,
Comb out your long hair,
For I have heard of witchery
Under a pretty air,

That makes as one thing to the lover
Staying and going hence,
All fair, with many a pretty air
And many a negligence.