All roads that lead to God are good.
What matters it, your faith, or mine?
Both centre at the goal divine
Of love’s eternal Brotherhood.

The kindly life in house or street –
The life of prayer and mystic rite –
The student’s search for truth and light –
These paths at one great Junction meet.

Before the oldest book was writ,
Full many a prehistoric soul
Arrived at this unchanging goal,
Through changeless Love, that leads to it.

What matters that one found his Christ
In rising sun, or burning fire?

"I have been one acquainted with the night" - Robert Frost


Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.

Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still

Even now this landscape is assembling.
The hills darken. The oxen
Sleep in their blue yoke,
The fields having been
Picked clean, the sheaves
Bound evenly and piled at the roadside
Among cinquefoil, as the toothed moon rises:

This is the barrenness
Of harvest or pestilence
And the wife leaning out the window
With her hand extended, as in payment,
And the seeds
Distinct, gold, calling
Come here
Come here, little one

And the soul creeps out of the tree.

I.

Ah! wherefore by the Church-yard side,
Poor little LORN ONE, dost thou stray?
Thy wavy locks but thinly hide
The tears that dim thy blue-eye's ray;
And wherefore dost thou sigh, and moan,
And weep, that thou art left alone?


II.

Thou art not left alone, poor boy,
The Trav'ller stops to hear thy tale;
No heart, so hard, would thee annoy!
For tho' thy mother's cheek is pale
And withers under yon grave stone,
Thou art not, Urchin, left alone.


III.

I know thee well ! thy yellow hair

An ancient chestnut’s blossoms threw
Their heavy odour over two:
Leucippe, it is said, was one;
The other, then, was Alciphron.
‘Come, come! why should we stand beneath?’
This hollow tree’s unwholesome breath?’
Said Alciphron, ‘here’s not a blade
Of grass or moss, and scanty shade.
Come; it is just the hour to rove
In the lone dingle shepherds love;
There, straight and tall, the hazel twig
Divides the crookàed rock-held fig,
O’er the blue pebbles where the rill
In winter runs and may run still.

"Bring me soft song," said Aladdin.
"This tailor-shop sings not at all.
Chant me a word of the twilight,
Of roses that mourn in the fall.
Bring me a song like hashish
That will comfort the stale and the sad,
For I would be mending my spirit,
Forgetting these days that are bad,
Forgetting companions too shallow,
Their quarrels and arguments thin,
Forgetting the shouting Muezzin:"--
"I AM YOUR SLAVE," said the Jinn.

"Bring me old wines," said Aladdin.
"I have been a starved pauper too long.

Call it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,
II
See of old the lover's shallop steer.

A splendid sun betwixt the trees
Long spikes of flame did shoot,
When turning to the fragrant South,
With longing eyes and burning mouth,
I stretched a hand athwart the drouth,
And plucked at cooling fruit.

So thirst was quenched, and hastening on
With strength returned to me,
I set my face against the noon,
And reached a denser forest soon;
Which dipped into a still lagoon
Hard by the sooming sea.

All day the ocean beat on bar
And bank of gleaming sand;
Yet that lone pool was always mild,

When maiden loves, she sits and sighs,
She wanders to and fro;
Unbidden tear-drops fill her eyes,
And to all questions she replies,
With a sad heigho!
'Tis but a little word - "heigho!"
So soft, 'tis scarcely heard - "heigho!"
An idle breath -
Yet life and death
May hang upon a maid's "heigho!"

When maiden loves, she mopes apart,
As owl mopes on a tree;
Although she keenly feels the smart,
She cannot tell what ails her heart,
With its sad "Ah me!"
'Tis but a foolish sigh - "Ah me!"
Born but to droop and die - "Ah me!"

A long eugenic past
reduces roses to
a vain and pampered caste.

Their charm is artifice,
their fragile shell of cells
unfit for wilderness.

Their languid symmetries
and anorexic airs
exalt deformities.

A run of blossoms, thick
and tangled by the road,
displays a truer pick.

Prefer the bindweed vines
that cannot stand alone
yet clench the mossy spines

of trees and grasp as tight
as nightmares or disease
while hoarding hints of light.

By cloning a delight,
obsessing towards some form,