Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.

They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
nakedness of the body,

With a resplendent Eastern bride,
Like a houri at my side,
And music round us swelling,
’Mid odours of so rare a steam
That like a breath of love they seem,
Dwell I through a radiant dream
In an orient dwelling.
Near a fair fountain flashing high
In the pleasure court we lie,
Each on a gorgeous pillow;
The columned water mounting breaks
In outward curves and falling flakes,
Till the whole a picture makes
Of a crystal willow.

Wide round us galleried walls extend,

To Ernest Brace

"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.

That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud

Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,

Since first the White Horse Banner blew free,
By Hengist's horde unfurled,
Nothing has changed on land or sea
Of the things that steer the world.
(As it was when the long-ships scudded through the gale
So it is where the Liners go.)
Time and Tide, they are both in a tale--
"Woe to the weaker -- woe! "

No charm can bridle the hard-mouthed wind
Or smooth the fretting swell.
No gift can alter the grey Sea's mind,
But she serves the strong man well.
(As it is when her uttermost deeps are stirred
So it is where the quicksands show,)

Bold are the mounted robbers who on stolen horses ride
And bold the mounted troopers who patrol the Sydney side;
But few of them, though flash they be, can ride, and few can fight
As Walker did, for life and death, with Ward the other night.

It seems the troopers heard that Ward, well known as Thunderbolt,
An outlawed thief, was down near Blanche to try a fresh-roped colt.
(Not far from Armidale, that spot for brilliants so renowned -
Although the talked-of diamonds now are seldom found.)

Said Alick Walker as he clapped his saddle on his steed,

We read of kings and gods that kindly took
A pitcher fill'd with water from the brook ;
But I have daily tender'd without thanks
Rivers of tears that overflow their banks.
A slaughter'd bull will appease angry Jove,
A horse the Sun, a lamb the god of love,
But she disdains the spotless sacrifice
Of a pure heart, that at her altar lies.
Vesta is not displeased, if her chaste urn
Do with repaired fuel ever burn ;
But my saint frowns, though to her honour'd name
I consecrate a never-dying flame.

There is a change--and I am poor;
Your love hath been, nor long ago,
A fountain at my fond heart's door,
Whose only business was to flow;
And flow it did; not taking heed
Of its own bounty, or my need.

What happy moments did I count!
Blest was I then all bliss above!
Now, for that consecrated fount
Of murmuring, sparkling, living love,
What have I? Shall I dare to tell?
A comfortless and hidden well.

A well of love--it may be deep--
I trust it is,--and never dry:
What matter? If the waters sleep

It winds along the face of a cliff
This path which I long to explore,
And over it dashes a waterfall,
And the air is full of the roar
And the thunderous voice of waters which sweep
In a silver torrent over some steep.

It clears the path with a mighty bound
And tumbles below and away,
And the trees and the bushes which grow in the rocks
Are wet with its jewelled spray;
The air is misty and heavy with sound,
And small, wet wildflowers star the ground.

Oh! The dampness is very good to smell,
And the path is soft to tread,

At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,