566
A Dying Tiger—moaned for Drink—
I hunted all the Sand—
I caught the Dripping of a Rock
And bore it in my Hand—
His Mighty Balls—in death were thick—
But searching—I could see
A Vision on the Retina
Of Water—and of me—
'Twas not my blame—who sped too slow—
'Twas not his blame—who died
While I was reaching him—
But 'twas—the fact that He was dead—
I was an Arab,
I loved my horse;
Swift as an arrow
He swept the course.
Sweet as a lamb
He came to hand;
He was the flower
Of all the land.
Through lonely nights
I rode afar;
God lit His lights--
Star upon star.
God's in the desert;
His breath the air:
Beautiful desert,
Boundless and bare!
Free as the wild wind,
Light as a foal;
Ah, there is room there
To stretch one's soul.
Far reached my thought,
To Meath of the pastures,
From wet hills by the sea,
Through Leitrim and Longford
Go my cattle and me.
I hear in the darkness
Their slipping and breathing.
I name them the bye-ways
They’re to pass without heeding.
Then the wet, winding roads,
Brown bogs with black water;
And my thoughts on white ships
And the King o’ Spain’s daughter.
O! farmer, strong farmer!
You can spend at the fair
But your face you must turn
To your crops and your care.
And soldiers—red soldiers!
Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.
They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
nakedness of the body,
With a resplendent Eastern bride,
Like a houri at my side,
And music round us swelling,
’Mid odours of so rare a steam
That like a breath of love they seem,
Dwell I through a radiant dream
In an orient dwelling.
Near a fair fountain flashing high
In the pleasure court we lie,
Each on a gorgeous pillow;
The columned water mounting breaks
In outward curves and falling flakes,
Till the whole a picture makes
Of a crystal willow.
Wide round us galleried walls extend,
To Ernest Brace
"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.
That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,
Bold are the mounted robbers who on stolen horses ride
And bold the mounted troopers who patrol the Sydney side;
But few of them, though flash they be, can ride, and few can fight
As Walker did, for life and death, with Ward the other night.
It seems the troopers heard that Ward, well known as Thunderbolt,
An outlawed thief, was down near Blanche to try a fresh-roped colt.
(Not far from Armidale, that spot for brilliants so renowned -
Although the talked-of diamonds now are seldom found.)
We read of kings and gods that kindly took
A pitcher fill'd with water from the brook ;
But I have daily tender'd without thanks
Rivers of tears that overflow their banks.
A slaughter'd bull will appease angry Jove,
A horse the Sun, a lamb the god of love,
But she disdains the spotless sacrifice
Of a pure heart, that at her altar lies.
Vesta is not displeased, if her chaste urn
Do with repaired fuel ever burn ;
But my saint frowns, though to her honour'd name
I consecrate a never-dying flame.
At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,
