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In February

Rich meanings of the prophet-Spring adorn,
Unseen, this colourless sky of folded showers,
And folded winds; no blossom in the bowers;
A poet's face asleep in this grey morn.
Now in the midst of the old world forlorn
A mystic child is set in these still hours.
I keep this time, even before the flowers,
Sacred to all the young and the unborn.

To all the miles and miles of unsprung wheat,
And to the Spring waiting beyond the portal,
And to the future of my own young art,
And, among all these things, to you, my sweet,

In Faith

When the soft sweet wind o' the south went by,
I dwelt in the light of a dark brown eye;
And out where the robin sang his song,
We lived and loved, while the days were long.

In the sweet, sweet eves, when the moon swung high,
We wandered under the starry sky;
Or sat in the porch, and the moon looked through
The latticed wall where the roses grew.

My lips, that hd no lover's kiss,
You taught the art, till they trilled in bliss;
And the moon, and the stars, and the roses knew
That the heart you won was pure and true.

In Excelsis

You -- you --
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.

The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.

As the perfume of jonquils, you come forth in the morning.
Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.

In Cabin'd Ships At Sea


IN cabin'd ships, at sea,
The boundless blue on every side expanding,
With whistling winds and music of the waves--the large imperious
waves--In such,
Or some lone bark, buoy'd on the dense marine,
Where, joyous, full of faith, spreading white sails,
She cleaves the ether, mid the sparkle and the foam of day, or under
many a star at night,
By sailors young and old, haply will I, a reminiscence of the land,
be read,
In full rapport at last.

In Bertram's Garden

Jane looks down at her organdy skirt
As if it somehow were the thing disgraced,
For being there, on the floor, in the dirt,
And she catches it up about her waist,
Smooths it out along one hip,
And pulls it over the crumpled slip.

On the porch, green-shuttered, cool,
Asleep is Bertram that bronze boy,
Who, having wound her around a spool,
Sends her spinning like a toy
Out to the garden, all alone,
To sit and weep on a bench of stone.

Soon the purple dark must bruise
Lily and bleeding-heart and rose,

In Beechwood Cemetery

Here the dead sleep--the quiet dead. No sound
Disturbs them ever, and no storm dismays.
Winter mid snow caresses the tired ground,
And the wind roars about the woodland ways.
Springtime and summer and red autumn pass,
With leaf and bloom and pipe of wind and bird,
And the old earth puts forth her tender grass,
By them unfelt, unheeded and unheard.
Our centuries to them are but as strokes
In the dim gamut of some far-off chime.
Unaltering rest their perfect being cloaks--
A thing too vast to hear or feel or see--

In Autumn

The leaves are many under my feet,
And drift one way.
Their scent of death is weary and sweet.
A flight of them is in the grey
Where sky and forest meet.

The low winds moan for sad sweet years;
The birds sing all for pain,
Of a common thing, to weary ears,--
Only a summer's fate of rain,
And a woman's fate of tears.

I walk to love and life alone
Over these mournful places,
Across the summer overthrown,
The dead joys of these silent faces,
To claim my own.

I know his heart has beat to bright

In an Old Town Garden

Shut from the clamor of the street
By an old wall with lichen grown,
It holds apart from jar and fret
A peace and beauty all its own.

The freshness of the springtime rains
And dews of morning linger here;
It holds the glow of summer noons
And ripest twilights of the year.

Above its bloom the evening stars
Look down at closing of the day,
And in its sweet and shady walks
Winds spent with roaming love to stray,

Upgathering to themselves the breath
Of wide-blown roses white and red,
The spice of musk and lavender

In an Old Farmhouse

Outside the afterlight's lucent rose
Is smiting the hills and brimming the valleys,
And shadows are stealing across the snows;
From the mystic gloom of the pineland alleys.
Glamour of mingled night and day
Over the wide, white world has sway,
And through their prisoning azure bars,
Gaze the calm, cold eyes of the early stars.

But here, in this long, low-raftered room,
Where the blood-red light is crouching and leaping,
The fire that colors the heart of the gloom
The lost sunshine of old summers is keeping­

In Ampezzo

Only once more and not again--the larches
Shake to the wind their echo, "Not again,"--
We see, below the sky that over-arches
Heavy and blue, the plain

Between Tofana lying and Cristallo
In meadowy earths above the ringing stream:
Whence interchangeably desire may follow,
Hesitant as in dream,

At sunset, south, by lilac promontories
Under green skies ato Italy, or forth
By calms of morning beyond Lavinores
Tyrolward and to north:

As now, this last of latter days, when over