CHORUS.
THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

I.
How often have my tears
Invaded your soft ears,
And dropp'd their silent chimes
A thousand thousand times?
Whilst echo did your eyes,
And sweetly sympathize;
But that the wary lid
Their sluces did forbid.

Cho. THEN UNDERSTAND YOU NOT (FAIR CHOICE)
THIS LANGUAGE WITHOUT TONGUE OR VOICE?

II.
My arms did plead my wound,

Rondeau

IN after days when grasses high
O'er-top the stone where I shall lie,
   Though ill or well the world adjust
   My slender claim to honour'd dust,
I shall not question nor reply.

I shall not see the morning sky;
I shall not hear the night-wind sigh;
   I shall be mute, as all men must
   In after days!

But yet, now living, fain would I
That some one then should testify,
   Saying--'He held his pen in trust

Someone was calling someone;
now they've stopped. Beyond the glass
the rose vines quiver as in
a light wind, but there is none:
I hear nothing. The moments pass,
or seem to pass, and the sun,
risen above the old birch,
steadies for the downward arch.

It is noon. Privacy is
one thing, but to be alone,
to speak and not to be heard,
to speak again the same word
or another until one
can no longer distinguish
the presence of silence or
what the silence is there for...

No one can begin anew

Put forth thy leaf, thou lofty plane,
East wind and frost are safely gone;
With zephyr mild and balmy rain
The summer comes serenly on;
Earth, air, and sun and skies combine
To promise all that's kind and fair: -
But thou, O human heart of mine,
Be still, contain thyself, and bear.

December days were brief and chill,
The winds of March were wild and drear,
And, nearing and receding still,
Spring never would, we thought, be here.
The leaves that burst, the suns that shine,
Had, not the less, their certain date: -

The alder shudders in the April winds
off the moon. No one is awake and yet
sunlight streams across
the hundred still beds
of the public wards
for children. At ten
do we truly sleep
in a blessed sleep
guarded by angels
and social workers?
Do we dream of gold
found in secret trunks
in familiar rooms?
Do we talk to cats
and dogs? I think not.
I think when I was
ten I was almost
an adult, slightly
less sentimental
than now and better
with figures. No one
could force me to cry,

WHAT can I write in thee, O dainty book,
About whose daintiness faint perfume lingers—
Into whose pages dainty ladies look,
And turn thy dainty leaves with daintier fingers?

Fitter my ruder muse for ruder song,
My scrawling quill to coarser paper matches;
My voice, in laughter raised too loud and long,
Is hoarse and cracked with singing tavern catches.

No melodies have I for ladies’ ear,
No roundelays for jocund lads and lasses—
But only brawlings born of bitter beer,

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.

A steady storm of correspondences!

I

The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,

Tall timber stood here once, hee on a corn belt farm along the Monon.
Here the roots of a half-mile of trees dug their runners deep in the loam for a grip and a hold against wind storms.
Then the axemen came and the chips flew to the zing of steel and handle--the lank railsplitters cut the big ones first, the beeches and the oaks, then the brush.
Dynamite, wagons, and horses took the stumps--the plows sunk their teeth in--now it is first class corn land--omproved property--and the hogs grunt over the fodder crops.

The sea was sapphire coloured, and the sky
Burned like a heated opal through the air;
We hoisted sail; the wind was blowing fair
For the blue lands that to the eastward lie.
From the steep prow I marked with quickening eye
Zakynthos, every olive grove and creek,
Ithaca's cliff, Lycaon's snowy peak,
And all the flower-strewn hills of Arcady.
The flapping of the sail against the mast,
The ripple of the water on the side,
The ripple of girls' laughter at the stern,
The only sounds:- when 'gan the West to burn,