There was snow that afternoon covering the road
which twisted toward the secret
of water, the mysterious surge

of sludge & loam, the living
Mississippi, unlike the rest of the Midwest,

drawing itself through landscape. There was an appointment
you were keeping

in Moline: a cheap hotel, booze, a little blow. On the Lower
East Side, a woman

spills her martini, makes a gesture
like erasure, or regret. It was almost Christmas.
In the rear view

suddenly, the car you will always describe as oncoming

'Twas in scientific circles
That the great Professor Brown
Had a world-wide reputation
As a writer of renown.
He had striven finer feelings
In our natures to implant
By his Treatise on the Morals
Of the Red-eyed Bulldog Ant.
He had hoisted an opponent
Who had trodden unawares
On his "Reasons for Bare Patches
On the Female Native Bears".
So they gave him an appointment
As instructor to a band
Of the most attractive females
To be gathered in the land.
'Twas a "Ladies' Science Circle" --

Again, the bride of imagination can for want of beauty not lift up her head nor raise her eyes from the feet of bashfulness to appear in the assembly of persons endowed with pulchritude, unless adorned with the ornaments of approbation from the great Amir, who is learned, just, aided by heaven, victorious, supporter of the throne of the Sultanate and councillor in deliberations of the realm, refuge of the poor, asylum of strangers, patron of learned men, lover of the pious, glory of the dynasty of Pares, right hand of the kingdom, chief of the nobles, boast of the monarchy and of the religi

Softly, slyly, flute and drum begin to weave their net
Of notes; the slow seductive beat evokes the stomp of gypsy feet
Inside some smoky dim cantina, where a woman's silhouette
Is dancing with abandon to the pulsing, pounding theme
Of the flamenco or fandango...the bolero or beguine.
It's unremitting rhythm, darkly sensual in tone,
Restrains a fierce and frenzied spirit in it's own
Measured meter...persistent and alone
Beneath the sultry overtones
Of the trumpets and trombones,
Echoed closely by the throbbing of the strings

Art thou a woman? -- so am I; and all
That woman can be, I have been, or am;
A daughter, sister, consort, mother, widow.
Whiche'er of these thou art, O be the friend
Of one who is what thou canst never be!
Look on thyself, thy kindred, home, and country,
Then fall upon thy knees, and cry "Thank GOD,
An English woman cannot be a SLAVE!"

Art thou a man? -- Oh! I have known, have loved,
And lost, all that to woman man can be;
A father, brother, husband, son, who shared
My bliss in freedom, and my woe in bondage.

They laughed at one I loved-
The triangular hill that hung
Under the Big Forth. They said
That I was bounded by the whitethorn hedges
Of the little farm and did not know the world.
But I knew that love's doorway to life
Is the same doorway everywhere.
Ashamed of what I loved
I flung her from me and called her a ditch
Although she was smiling at me with violets.

But now I am back in her briary arms
The dew of an Indian Summer lies
On bleached potato-stalks
What age am I?

I do not know what age I am,

The bicycles go by in twos and threes -
There's a dance in Billy Brennan's barn to-night,
And there's the half-talk code of mysteries
And the wink-and-elbow language of delight.
Half-past eight and there is not a spot
Upon a mile of road, no shadow thrown
That might turn out a man or woman, not
A footfall tapping secrecies of stone.
I have what every poet hates in spite
Of all the solemn talk of contemplation.
Oh, Alexander Selkirk knew the plight
Of being king and government and nation.
A road, a mile of kingdom, I am king

"Three Triangles"

TRIANGLE ONE
I
My husband put some poison in my beer,
And fondly hoped that I would drink it up.
He would get rid of me - no bloody fear,
For when his back was turned I changed the cup.
He took it all, and if he did not die,
Its just because he's heartier than I.
II
And now I watch and watch him night and day
dreading that he will try it on again.
I'm getting like a skeleton they say,
And every time I feel the slightest pain
I think: he's got me this time. . . . Oh the beast!

Lo giorno se n'andava, e l'aere bruno
toglieva li animai che sono in terra
da le fatiche loro; e io sol uno

The day was now departing; the dark air
released the living beings of the earth
from work and weariness; and I myself


m'apparecchiava a sostener la guerra
sì del cammino e sì de la pietate,
che ritrarrà la mente che non erra .

alone prepared to undergo the battle
both of the journeying and of the pity,
which memory, mistaking not, shall show.


O muse, o alto ingegno, or m'aiutate;

Somewhere in Forster—was it Aspects of the Novel?—
there's something to the effect of,
How can I tell what I think till I see what I say?
I've always meant to check the quote, but I'm half afraid
it won't be there, or if it is, that I got it all wrong,
and I pretty much like it the way it is—
I pull it out and toss it onto the table like one of those
really brightly colored chips that only get thrown into the pot
after the hand has gotten out of control and someone wants
to say something a bit more heady than, I'll see you,