woman

The bicycles go by in twos and threes -
There's a dance in Billy Brennan's barn to-night,
And there's the half-talk code of mysteries
And the wink-and-elbow language of delight.
Half-past eight and there is not a spot
Upon a mile of road, no shadow thrown
That might turn out a man or woman, not
A footfall tapping secrecies of stone.
I have what every poet hates in spite
Of all the solemn talk of contemplation.
Oh, Alexander Selkirk knew the plight
Of being king and government and nation.

Lo giorno se n'andava, e l'aere bruno
toglieva li animai che sono in terra
da le fatiche loro; e io sol uno

The day was now departing; the dark air
released the living beings of the earth
from work and weariness; and I myself


m'apparecchiava a sostener la guerra
sì del cammino e sì de la pietate,
che ritrarrà la mente che non erra .

alone prepared to undergo the battle
both of the journeying and of the pity,
which memory, mistaking not, shall show.

Ah yes, I love you, and with all my heart;
Just as a weaker woman loves her own,
Better than I love my beloved art,
Which, until you came, reigned royally, alone,
My king, my master. Since I saw your face
I have dethroned it, and you hold that place.

I am as weak as other women are –
Your frown can make the whole world like a tomb
Your smile shines brighter than the sun, by far;
Sometimes I think there is not space or room
In all the earth for such a love as mine,

Where the needle-woman toils
Through the night with hand and brain,
Till the sickly daylight shudders like a spectre at the pain –
Till her eyes seem to crawl,
And her brain seems to creep –

And her limbs are all a-tremble for the want of rest and sleep!
It is there the fire-brand blazes in my blood; and it is there
That I see the crimson banner of the Children of Despair!
That I feel the soul and music in a rebel's battle song,
And the greatest love for justice and the hottest hate for wrong!

"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"

"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"

"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"

"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"

Somewhere in Forster—was it Aspects of the Novel?—
there's something to the effect of,
How can I tell what I think till I see what I say?
I've always meant to check the quote, but I'm half afraid
it won't be there, or if it is, that I got it all wrong,
and I pretty much like it the way it is—
I pull it out and toss it onto the table like one of those
really brightly colored chips that only get thrown into the pot
after the hand has gotten out of control and someone wants

Once upon a time I was sitting outside the cafe
watching twilight in Umbria when a girl came
out of the bakery with the bread her mother wanted.
She did not know what to do. Already bewildered
by being thirteen and just that summer a woman,
she now had to walk past the American.
But she did fine. Went by and around the corner
with style, not noticing me. Almost perfect.
At the last instant could not resist darting a look
down at her new breasts. Often I go back
to that dip of her head when people talk

In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;

Someone embraces me
Someone looks at me with the eyes of a wolf
Someone takes off his hat
So I can see him better

Everyone asks me
Do you know how I'm related to you

Unknown old men and women
Appropriate the names
Of young men and women from my memory

I ask one of them
Tell me for God's sake
Is George the Wolf still living

That's me he answers
With a voice from the next world

I touch his cheek with my hand
And beg him with my eyes

In the thicket's shade
a woman by herself
singing the rice-planting song.


Translated by Robert Hass