Farewell, ungrateful traitor!
Farewell, my perjur'd swain!
Let never injur'd woman
Believe a man again.
The pleasure of possessing
Surpasses all expressing,
But 'tis too short a blessing,
And love too long a pain.

'Tis easy to deceive us
In pity of your pain,
But when we love, you leave us
To rail at you in vain.
Before we have descried it,
There is no joy beside it,
But she that once has tried it
Will never love again.

The passion you pretended
Was only to obtain,

Many times upon a time
There was a man who loved a woman.
Many times upon a time
There was a woman who loved a man.
Many times upon a time
There was a man and there was a woman
Who did not love the ones who loved them.

Once upon a time
Perhaps only once
A man and a woman who loved each other.

You've heard of King Henry II
And the story of how he got fond
Of one of his customer's daughters,
A lass called the " Fair Rosamond."

'Twere a lovely romance while it lasted,
The course of true love ran serene,
Till some nosey-parkering varlet
Started carrying tales to the Queen.

The Queen were at first incred-u-lous.
She said "What a tale to invent!"
The King would not stoop to such baseness
At any rate, not during Lent."

But one morning she picked up a doublet
As he'd dropped on his bedroom settee;

The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and lookèd in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.

Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.

A chaplain in the army,
A chaplain in the prisons,
An exhorter in Spoon River,
Drunk with divinity, Spoon River --
Yet bringing poor Eliza Johnson to shame,
And myself to scorn and wretchedness.
But why will you never see that love of women,
And even love of wine,
Are the stimulants by which the soul, hungering for divinity,
Reaches the ecstatic vision
And sees the celestial outposts?
Only after many trials for strength,
Only when all stimulants fail,
Does the aspiring soul
By its own sheer power
Find the divine

The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy."
II
Said I: "Old chap, I don't agree.
Why should one so dispraise the present?
For gainful guys like you and me,
It still can be extremely pleasant.
Have we not Women, Wine and Song -
A gleeful trio to my thinking;
So blithely we can get along

Early within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax'd thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.

Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.

He had a skillful eye and true,

THE world was made when a man was born,
He must taste for himself the forbidden springs;
He can never take warning from old-fashion'd things;
He must fight as a boy, he must drink as a youth,
Of the friend of his soul; he must laugh to scorn
The hints of deceit in a woman's eyes--
They are clear as the wells of Paradise.

And so he goes on till the world grows old,
Till his toung has grown cautious, his heart has grown cold,
Till the smile leaves his mouth, till the ring leaves his laugh,
And he shirks the bright headache you ask him to quaff.

Thou dost complain of woman for changing from one to another?
Censure her not: for she seeks one who will constant remain.

Sleep, McKade.
  Fold up the day. It was a bright scarf.
  Put it away.
  Take yourself to pieces like a house of cards.

It is time to be a grey mouse under a tall building.
  Go there. Go there now.
  Look at the huge nails. Run behind the pipes.
  Scamper in the walls.
  Crawl towards the beckoning girl, her breasts are warm.
  But here is a dead man. A murderer?
  Kill him with your pistol. Creep past him to the girl.

Sleep, McKade.