women

Early within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax'd thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.

Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.

Thou dost complain of woman for changing from one to another?
Censure her not: for she seeks one who will constant remain.

Sleep, McKade.
  Fold up the day. It was a bright scarf.
  Put it away.
  Take yourself to pieces like a house of cards.

It is time to be a grey mouse under a tall building.
  Go there. Go there now.
  Look at the huge nails. Run behind the pipes.
  Scamper in the walls.
  Crawl towards the beckoning girl, her breasts are warm.
  But here is a dead man. A murderer?
  Kill him with your pistol. Creep past him to the girl.

Sleep, McKade.
  Throw one arm across the bed. Wind your watch.

When Time, or soon or late, shall bring
The dreamless sleep that lulls the dead,
Oblivion! may thy languid wing
Wave gently o'er my dying bed!

No band of friends or heirs be there,
To weep, or wish, the coming blow:
No maiden, with dishevelled hair,
To feel, or feign, decorous woe.

But silent let me sink to earth,
With no officious mourners near:
I would not mar one hour of mirth,
Nor startle friendship with a tear.

Yet Love, if Love in such an hour
Could nobly check its useless sighs,

Oh darling Eric, why did you
For my fond affection sue,
And then with surgeons artful aid
Transform yourself into a maid?
So now in petticoats you go
And people call you Erico.
II
Sometimes I wonder if they can
Change me in turn into a man;
Then after all we might get wed
And frolic on a feather bed:
Although I do not see how we
Could ever have a family.
III
Oh dear! Oh dear! It's so complex.
Why must they meddle with our sex.
My Eric was a handsome 'he,'

Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.

Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.

I'll tell the story, kissing
This white hand for my pains:
No sweeter heart, nor falser
E'er filled such fine, blue veins.

I'll sing a song of true love,
My Lilith dear! to you;
Contraria contrariis
The rule is old and true.

The happiest of all lovers
Was Ernst of Edelsheim;
And why he was the happiest,
I'll tell you in my rhyme.

One summer night he wandered
Within a lonely glade,
And, couched in moss and moonlight,
He found a sleeping maid.

Dio doppo avé creato in pochi giorni
Quello che c'è de bello e c'é de brutto,
In paradiso o in de li su' contorni
Creò un rampino e ciattaccò un presciutto.

E disse: "Quella femmina che in tutto
Er tempo che campò nun messe corni,
N'abbi una fetta, acciò non magni asciutto
Er pandecèlo de li nostri forni".

Morze Eva, morze Lia, morze Ribbecca,
Fino inzomma a ttu' moje a man'a mano,
Morzeno tutte, e ppijele a l'inzecca.

E ttutte quante cor cortello in mano

YE learned sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyed in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;

She has attained the permanence
She dreamed of, where old stones lie sunning.
Untended stalks blow over her
Even and swift, like young men running.

Always in the heart she loved
Others had lived, -- she heard their laughter.
She lies where none has lain before,
Where certainly none will follow after.