Pavement slipp'ry, people sneezing,
Lords in ermine, beggars freezing ;
Titled gluttons dainties carving,
Genius in a garret starving.

Lofty mansions, warm and spacious ;
Courtiers clinging and voracious ;
Misers scarce the wretched heeding ;
Gallant soldiers fighting, bleeding.

Wives who laugh at passive spouses ;
Theatres, and meeting-houses ;
Balls, where simp'ring misses languish ;
Hospitals, and groans of anguish.

Arts and sciences bewailing ;
Commerce drooping, credit failing ;
Placemen mocking subjects loyal ;

I

I have discovered that most of
the beauties of travel are due to
the strange hours we keep to see them:

the domes of the Church of
the Paulist Fathers in Weehawken
against a smoky dawn -- the heart stirred --
are beautiful as Saint Peters
approached after years of anticipation.

II

Though the operation was postponed
I saw the tall probationers
in their tan uniforms
hurrying to breakfast!

III

-- and from basement entries
neatly coiffed, middle aged gentlemen

There were two little girls, neither handsome nor plain;
One's name was Eliza, the other's was Jane:
They were both of one height, as I've heard people say,
They were both of one age, I believe, to a day.

'Twas fancied by some, who but slightly had seen them,
That scarcely a difference was there between them;
But no one for long in this notion persisted,
So great a distinction there really existed.

Eliza knew well that she could not be pleasing,
While fretting and fuming, while sulky or teasing;

My daughter Jane makes dresses
For beautiful Princesses;
But though she's plain is Jane,
Of needlework she's vain,
And makes such pretty things
For relatives of Kings.
II
She reads the picture papers
Where Royalties cut capers,
And often says to me:
'How wealthy they must be,
That nearly every day
A new robe they can pay.'
III
Says I: 'If your Princesses
Could fabric pretty dresses,
Though from a throne they stem
I would think more of them.
Peeress and shopgirl are
To my mind on a par.'
IV

Do you remember, passer-by, the path
I wore across the lot where now stands the opera house,
Hasting with swift feet to work through many years?
Take its meaning to heart:
You too may walk, after the hills at Miller's Ford
Seem no longer far away;
Long after you see them near at hand,
Beyond four miles of meadow;
And after woman's love is silent,
Saying no more: "I will save you."
And after the faces of friends and kindred
Become as faded photographs, pitifully silent,
Sad for the look which means: "We cannot help you."

Jack was a swarthy, swaggering son-of-a-gun.
He worked thirty years on the railroad, ten hours a day, and his hands were tougher than sole leather.
He married a tough woman and they had eight children and the woman died and the children grew up and went away and wrote the old man every two years.
He died in the poorhouse sitting on a bench in the sun telling reminiscences to other old men whose women were dead and children scattered.
There was joy on his face when he died as there was joy on his face when he lived—he was a swarthy, swaggering son-of-a-gun.

244

It is easy to work when the soul is at play—
But when the soul is in pain—
The hearing him put his playthings up
Makes work difficult—then—

It is simple, to ache in the Bone, or the Rind—
But Gimlets—among the nerve—
Mangle daintier—terribler—
Like a Panter in the Glove—

'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.

His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:

"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"

And he shook his fists and he tore his hair,
And he started to frisk and play,

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;

Because no one could ever praise me enough,
because I don't mean these poems only
but the unseen
unbelievable effort it takes to live
the life that goes on between them,
I think all the time about invisible work.
About the young mother on Welfare
I interviewed years ago,
who said, "It's hard.
You bring him to the park,
run rings around yourself keeping him safe,
cut hot dogs into bite-sized pieces fro dinner,
and there's no one
to say what a good job you're doing,
how you were patient and loving