work

Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,

. Tax not the royal Saint with vain expense,
With ill-matched aims the Architect who planned--
Albeit labouring for a scanty band
Of white-robed Scholars only--this immense
And glorious Work of fine intelligence!
Give all thou canst; high Heaven rejects the lore
Of nicely-calculated less or more;
So deemed the man who fashioned for the sense
These lofty pillars, spread that branching roof
Self-poised, and scooped into ten thousand cells,
Where light and shade repose, where music dwells

THE LARGEST OF A HEAP LYING NEAR A DESERTED QUARRY, UPON ONE OF THE ISLANDS AT RYDAL

Stranger! this hillock of mis-shapen stones
Is not a Ruin spared or made by time,
Nor, as perchance thou rashly deem'st, the Cairn
Of some old British Chief: 'tis nothing more
Than the rude embryo of a little Dome
Or Pleasure-house, once destined to be built
Among the birch-trees of this rocky isle.
But, as it chanced, Sir William having learned
That from the shore a full-grown man might wade,

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,

Because no one could ever praise me enough,
because I don't mean these poems only
but the unseen
unbelievable effort it takes to live
the life that goes on between them,
I think all the time about invisible work.
About the young mother on Welfare
I interviewed years ago,
who said, "It's hard.
You bring him to the park,
run rings around yourself keeping him safe,
cut hot dogs into bite-sized pieces fro dinner,
and there's no one
to say what a good job you're doing,
how you were patient and loving

My negligence and backwardness in diligent attendance at the royal court resemble the case of Barzachumihr, whose merits the sages of India were discussing but could at last not reproach him with anything except slowness of speech because he delayed long and his hearers were obliged to wait till he delivered himself of what he had to say. When Barzachumihr heard of this he said: ‘It is better for me to consider what to speak than to repent of what I have spoken.’

A trained orator, old, aged,
First meditates and then speaks.

We interrupt the work of the gods,
hasty and inexperienced beings of the moment.
In the palaces of Eleusis and Phthia
Demeter and Thetis start good works
amid high flames and dense smoke. But
always Metaneira rushes from the king's
chambers, disheveled and scared,
and always Peleus is fearful and interferes.

I think I will learn some beautiful language, useless for commercial
Purposes, work hard at that.
I think I will learn the Latin name of every songbird, not only in
America but wherever they sing.
(Shun meditation, though; invite the controversial:
Is the world flat? Do bats eat cats?) By digging hard I might
deflect that river, my mind, that uncontrollable thing,
Turgid and yellow, srong to overflow its banks in spring,
carrying away bridges
A bed of pebbles now, through which there trickles one clear

Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.

If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.

But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;

Making my soul accomplice there
Unto the flame my heart hath lit,

Now you hear what the house has to say.
Pipes clanking, water running in the dark,
the mortgaged walls shifting in discomfort,
and voices mounting in an endless drone
of small complaints like the sounds of a family
that year by year you've learned how to ignore.

But now you must listen to the things you own,
all that you've worked for these past years,
the murmur of property, of things in disrepair,
the moving parts about to come undone,
and twisting in the sheets remember all