sea

O sailors, did sweet eyes look after you
The day you sailed away from sunny Spain?
Bright eyes that followed fading ship and crew,
Melting in tender rain?

Did no one dream of that drear night to be,
Wild with the wind, fierce with the stinging snow,
When on yon granite point that frets the sea,
The ship met her death-blow?

Fifty long years ago these sailors died:
(None know how many sleep beneath the waves)
Fourteen gray headstones, rising side by side,
Point out their nameless graves,-

When I am living in the Midlands
That are sodden and unkind,
I light my lamp in the evening:
My work is left behind;
And the great hills of the South Country
Come back into my mind.

The great hills of the South Country
They stand along the sea;
And it's there walking in the high woods
That I could wish to be,
And the men that were boys when I was a boy
Walking along with me.

Breathing: you invisible poem! Complete
interchange of our own
essence with world-space. You counterweight
in which I rythmically happen.

Single wave-motion whose
gradual sea I am:
you, most inclusive of all our possible seas-
space has grown warm.

How many regions in space have already been
inside me. There are winds that seem like
my wandering son.

Do you recognize me, air, full of places I once absorbed?
You who were the smooth bark,
roundness, and leaf of my words.

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.

The sky is an immortal tent built by the Sons of Los:
And every space that a man views around his dwelling-place
Standing on his own roof or in his garden on a mount
Of twenty-five cubits in height, such space is his universe:
And on its verge the sun rises and sets, the clouds bow
To meet the flat earth and the sea in such an order'd space:
The starry heavens reach no further, but here bend and set
On all sides, and the two Poles turn on their valves of gold:

(Sung, on one night, in the cities, in the darkness.)


Come away! Come away!
Ye are sober and dull through the common day,
But now it is night!
It is shameful night, and God is asleep!
(Have you not felt the quick fires that creep
Through the hungry flesh, and the lust of delight,
And hot secrets of dreams that day cannot say?).
The house is dumb;
The night calls out to you.—Come, ah, come!
Down the dim stairs, through the creaking door,
Naked, crawling on hands and feet

THE SIEGE OF CORINTH.


TO

JOHN HOBHOUSE, ESQ.,

THIS POEM IS INSCRIBED BY HIS FRIEND.

January 22, 1816.


ADVERTISEMENT

Through the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.

Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.

Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.

Ay! gloriously thou standest there,
Beautiful, boundless firmament!
That swelling wide o'er earth and air,
And round the horizon bent,
With thy bright vault, and sapphire wall,
Dost overhang and circle all.

Far, far below thee, tall old trees
Arise, and piles built up of old,
And hills, whose ancient summits freeze,
In the fierce light and cold.
The eagle soars his utmost height,
Yet far thou stretchest o'er his flight.

Thou hast thy frowns--with thee on high,

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised