To

“Who would not be a poet?” thus I read
In thy proud sonnet, my poetic friend;
And unto this my full assent was given:
“There is not, cannot be, under all heaven,
Aught happier in itself than the witch, poetry.”
But “Who’d not be a poet?” here I pause
Forebodingly, my poet-friend,—because
“To see all beauty with his gifted sight,”
To love, like him, with all the soul,
To be, when life is morning-bright
The very creature of delight,—
Delight beyond control,—


Thoreau's Flute

We sighing said, "Our Pan is dead;
His pipe hangs mute beside the river
Around it wistful sunbeams quiver,
But Music's airy voice is fled.
Spring mourns as for untimely frost;
The bluebird chants a requiem;
The willow-blossom waits for him;
The Genius of the wood is lost."

Then from the flute, untouched by hands,
There came a low, harmonious breath:
"For such as he there is no death;
His life the eternal life commands;
Above man's aims his nature rose.
The wisdom of a just content


Thing Language

This ocean, humiliating in its disguises
Tougher than anything.
No one listens to poetry. The ocean
Does not mean to be listened to. A drop
Or crash of water. It means
Nothing.
It
Is bread and butter
Pepper and salt. The death
That young men hope for. Aimlessly
It pounds the shore. White and aimless signals. No
One listens to poetry.


These

are the desolate, dark weeks
when nature in its barrenness
equals the stupidity of man.

The year plunges into night
and the heart plunges
lower than night

to an empty, windswept place
without sun, stars or moon
but a peculiar light as of thought

that spins a dark fire -
whirling upon itself until,
in the cold, it kindles

to make a man aware of nothing
that he knows, not loneliness
itself - Not a ghost but

would be embraced - emptiness
despair - (They


The Worst And The Best

in the hospitals and jails
it's the worst
in madhouses
it's the worst
in penthouses
it's the worst
in skid row flophouses
it's the worst
at poetry readings
at rock concerts
at benefits for the disabled
it's the worst
at funerals
at weddings
it's the worst
at parades
at skating rinks
at sexual orgies
it's the worst
at midnight
at 3 a.m.
at 5:45 p.m.
it's the worst


The Weakling

I AM a weakling. God, who made
The still, strong man, made also me.
The God who could the tiger plan,
In his lithe splendour unafraid—
A thing of flame and poetry—
That Puissance made of me—a Man!

The One who reared His vast design—
Star, atom, system, germ, and soul—
Could fashion forth this tremulous
And paltry little heart of mine!
The God who could conceive the Whole,
Himself blasphemed in building thus.


The Village Atheist

Ye young debaters over the doctrine
Of the soul's immortality
I who lie here was the village atheist,
Talkative, contentious, versed in the arguments
Of the infidels.
But through a long sickness
Coughing myself to death
I read the Upanishads and the poetry of Jesus.
And they lighted a torch of hope and intuition
And desire which the Shadow,
Leading me swiftly through the caverns of darkness,
Could not extinguish.
Listen to me, ye who live in the senses
And think through the senses only:


The Uses of Poetry

I've fond anticipation of a day
O'erfilled with pure diversion presently,
For I must read a lady poesy
The while we glide by many a leafy bay,

Hid deep in rushes, where at random play
The glossy black winged May-flies, or whence flee
Hush-throated nestlings in alarm,
Whom we have idly frighted with our boat's long sway.

For, lest o'ersaddened by such woes as spring
To rural peace from our meek onward trend,
What else more fit? We'll draw the latch-string


The Triple Fool

I am two fools, I know—
For loving, and for saying so
In whining poetry;
But where's that wiseman that would not be I,
If she would not deny?
Then, as th' earths inward narrow crooked lanes
Do purge sea waters fretful salt away,
I thought, if I could draw my pains
Through rhymes vexation, I should them allay.
Grief brought to numbers cannot be so fierce,
For he tames it that fetters it in verse.

But when I have done so,
Some man, his art and voice to show,
Doth set and sing my pain,


The Song of the Borderguard

The man with his lion under the shed of wars
sheds his belief as if he shed tears.
The sound of words waits -
a barbarian host at the borderline of sense.

The enamord guards desert their posts
harkening to the lion-smell of a poem
that rings in their ears.

-Dreams, a certain guard said
were never designd so
to re-arrange an empire.

Along about six o'clock I take out my guitar
and sing to a lion
who sleeps like a line of poetry


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