poetry

A Letter To My Aunt Discussing The Correct Approach To Modern Poetry


To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights

Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it
And from the nave build haunted heaven. Thus,
The conscience is converted into palms,
Like windy citherns hankering for hymns.
We agree in principle. That's clear. But take
The opposing law and make a peristyle,
And from the peristyle project a masque
Beyond the planets. Thus, our bawdiness,
Unpurged by epitaph, indulged at last,
Is equally converted into palms,
Squiggling like saxophones. And palm for palm,

In the mid-city, under an oiled sky,
I lay in a garden of such dusky green
It seemed the dregs of the imagination.
Hedged round by elegant spears of iron fence
My face became a moon to absent suns.
A low heat beat upon my reading face;
There rose no roses in that gritty place
But blue-gray lilacs hung their tassels out.
Hard zinnias and ugly marigolds
And one sweet statue of a child stood by.

A gutter of poetry flowed outside the yard,
Making me think I was a bird of prose;

A friend sends her perfumed carriage
And high-bred horses to fetch me.
I decline the invitation of
My old poetry and wine companion.

I remember the happy days in the lost capital.
We took our ease in the woman's quarters.
The Feast of Lanterns was elaborately celebrated -
Folded pendants, emerald hairpins, brocaded girdles,
New sashes - we competed
To see who was most smartly dressed.
Now I am withering away,
Wind-blown hair, frost temples.
I prefer to stay beyond the curtains,

Rhyme, the rack of finest wits,
That expresseth but by fits
True conceit,
Spoiling senses of their treasure,
Cozening judgment with a measure,
But false weight;
Wresting words from their true calling,
Propping verse for fear of falling
To the ground;
Jointing syllabes, drowning letters,
Fast'ning vowels as with fetters
They were bound!
Soon as lazy thou wert known,
All good poetry hence was flown,
And art banish'd.

Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
II
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
III
He peddled paint from bar to bar;
From sordid rags a jewel shone,

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!

fox

who
can blame her for hunkering
into the doorwells at night,
the only blaze in the dark
the brush of her hopeful tail,
the only starlight
her little bared teeth?

and when she is not satisfied
who can blame her for refusing to leave,
Master Of The Hunt, why am i
not feeding, not being fed?

the coming of fox

one evening i return
to a red fox
haunched by my door.

i am afraid
although she knows
no enemy comes here.

Give me your hand

Make room for me
to lead and follow
you
beyond this rage of poetry.

Let others have
the privacy of
touching words
and love of loss
of love.

For me
Give me your hand.