poetry

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
   By something liker Death possest.
My eyes with tears did uncommanded flow,
   And on my soul hung the dull weight
   Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?
   O, thou hast left me all alone!

We're driving across tableland
somewhere in the world;
it is almost bare of trees.

Upland near void of features
always moves me, but not to thought;
it lets me rest from thinking.

I feel no need to interpret it
as if it were art. Too much
of poetry is criticism now.

That hawk, clinging to
the eaves of the wind, beating
its third wing, its tail

isn't mine to sell. And here is
more like the space that needs
to exist aound an image.

This cloud-roof country reminds me

WHETHER a ship's poetic? -- Bowles would own,
If here he dwelt, where Nature is prosaic,
Unpicturesque, unmusical, and where
Nature-reflecting Art is not yet born; --
A land without antiquities, with one,
And only one, poor spot of classic ground,
(That on which Cook first landed) -- where, instead
Of heart-communings with ancestral relicks,
Which purge the pride while they exalt the mind,
We've nothing left us but anticipation,
Better (I grant) than utter selfishness,
Yet too o'erweening -- too American;

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov'd boy.
Seven years thou'wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scap'd world's and flesh's rage,
And, if no other misery, yet age?
Rest in soft peace, and, ask'd, say here doth lie
Ben Jonson his best piece of poetry.
For whose sake, henceforth, all his vows be such,

Wordsworth upon Helvellyn ! Let the cloud
Ebb audibly along the mountain-wind,
Then break against the rock, and show behind
The lowland valleys floating up to crowd
The sense with beauty. He with forehead bowed
And humble-lidded eyes, as one inclined
Before the sovran thought of his own mind,
And very meek with inspirations proud,
Takes here his rightful place as poet-priest
By the high altar, singing prayer and prayer

To the higher Heavens. A noble vision free
Our Haydon's hand has flung out from the mist:

``With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots ;
Rhyme's sturdy cripple, fancy's maze and clue,
Wit's forge and fire-blast, meaning's press and screw.''

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, loved boy.
Seven years thou wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.

Oh, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scaped world's and flesh's rage,
And if no other misery, yet age!

Rest in soft peace, and asked, say, Here doth lie
Ben Jonson his best piece of poetry.
For whose sake henceforth all his vows be such

I know no paynt of poetry
Can mend such colourd Imag'ry
In sullen inke: yet Fayrford, I
May relish thy fayre memory.


Such is the Ecchoes faynter sound,
Such is the light when sunne is drownd;
So did the fancy looke upon
The worke before it was begunne:
Yet when those shewes are out of sight
My weaker colours may delight.


Those Images so faythfully
Report true feature to the eye
As you may thinke each picture was
Some visage in a looking-glasse;
Not a glasse-window face, unlesse

Oh you gatherer
      of the fine ash of poetry
            ash of the too-white flame
                  of poetry

Consider those who have burned before you
            in the so-white fire

Crucible of Keats and Campana
            Bruno and Sappho
                  Rimbaud and Poe and Corso
      And Shelley burning on the beach
                   at Viarreggio

And now in the night
      in the general conflagration
            the white light
                  still consuming us