poetry

Faithful to your commandments, o consciousness, o

Holy bird of words soaring ever whether to nothingness or
to inconceivable fulfillment slowly:

And still I follow you, awkward as that dandy of ontology
and as awkward as his albatross and as

another dandy of ontology before him, another shepherd
and watchdog of being, the one who

Talked forever of forever as if forever of having been
and being an ancient mariner,

I


Diana was never more pleasing to her lover,
when, by a stroke of fate, he saw her naked,
shown in the deep pool of icy water,
than I was by the mountain shepherdess,
standing there to wash her delightful veil,
that keeps blonde, lovely hair from the wind’s stress,
so that, now heaven’s fires overspill,
she made me tremble with an amorous chill.



II


Now that the wind and earth and sky are silent,
and the wild birds and creatures curbed by sleep,

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

Spring, rainbows,
ordinary miracles
about which
nothing new can be said.

The stars on a clear night
of a New England winter;
the soft air of the islands
along the old
Spanish Main;
pirate gold shining
in the palm;
the odor of roses
to the lover's nose. . .

There is no more poetry
to be written
of these things.
The rainbow's sudden revelation--
behold!
The cliché is true!
What can one say
but that?

So too
with you, little heart,

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment's relief
he goes to the window to look
down on the East River, darkening
below as the early light comes on.
Something flashes across his sight,
a double vision of such horror

IT was a dismal and a fearful night:
Scarce could the Morn drive on th' unwilling Light,
When Sleep, Death's image, left my troubled breast
   By something liker Death possest.
My eyes with tears did uncommanded flow,
   And on my soul hung the dull weight
   Of some intolerable fate.
What bell was that? Ah me! too much I know!

My sweet companion and my gentle peer,
Why hast thou left me thus unkindly here,
Thy end for ever and my life to moan?
   O, thou hast left me all alone!

We're driving across tableland
somewhere in the world;
it is almost bare of trees.

Upland near void of features
always moves me, but not to thought;
it lets me rest from thinking.

I feel no need to interpret it
as if it were art. Too much
of poetry is criticism now.

That hawk, clinging to
the eaves of the wind, beating
its third wing, its tail

isn't mine to sell. And here is
more like the space that needs
to exist aound an image.

This cloud-roof country reminds me

WHETHER a ship's poetic? -- Bowles would own,
If here he dwelt, where Nature is prosaic,
Unpicturesque, unmusical, and where
Nature-reflecting Art is not yet born; --
A land without antiquities, with one,
And only one, poor spot of classic ground,
(That on which Cook first landed) -- where, instead
Of heart-communings with ancestral relicks,
Which purge the pride while they exalt the mind,
We've nothing left us but anticipation,
Better (I grant) than utter selfishness,
Yet too o'erweening -- too American;

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov'd boy.
Seven years thou'wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scap'd world's and flesh's rage,
And, if no other misery, yet age?
Rest in soft peace, and, ask'd, say here doth lie
Ben Jonson his best piece of poetry.
For whose sake, henceforth, all his vows be such,

Wordsworth upon Helvellyn ! Let the cloud
Ebb audibly along the mountain-wind,
Then break against the rock, and show behind
The lowland valleys floating up to crowd
The sense with beauty. He with forehead bowed
And humble-lidded eyes, as one inclined
Before the sovran thought of his own mind,
And very meek with inspirations proud,
Takes here his rightful place as poet-priest
By the high altar, singing prayer and prayer

To the higher Heavens. A noble vision free
Our Haydon's hand has flung out from the mist: