poetry

Dear Johnny, I return my thanks to you;
But more than thanks is your due
For publishing the scurrilous poetry about me
Leaving the Ancient City of Dundee.

The rhymster says, we'll weary for your schauchlin' form;
But if I'm not mistaken I've seen bonnier than his in a field of corn;
And, as I venture to say and really suppose,
His form seen in a cornfield would frighten the crows.

But, dear Johnny, as you said, he's just a lampoon,
And as ugly and as ignorant as a wild baboon;

I think you're wonderful and so does everyone else.

Just as Jackie Kennedy has a baby boy, so will you--even bigger.

You will meet a tall beautiful blonde stranger, and you will not say hello.

You will take a long trip and you will be very happy, though alone.

You will marry the first person who tells you your eyes are like scrambled eggs.

In the beginning there was YOU--there will always be YOU, I guess.

You will write a great play and it will run for three performances.

I never dreamed we’d meet that day
In our old haunts down Fricourt way,
Plotting such marvellous journeys there
For jolly old “Après-la-guerre.”

Well, when it’s over, first we’ll meet
At Gweithdy Bach, my country seat
In Wales, a curious little shop
With two rooms and a roof on top,
A sort of Morlancourt-ish billet
That never needs a crowd to fill it.
But oh, the country round about!
The sort of view that makes you shout
For want of any better way
Of praising God: there’s a blue bay

Wisteria, hysteria is as obvious a rhyme
as Viagra and Niagara there must be a reason
honeymooners traditionally went to the Falls
which were, said the divine Oscar,
an American bride's second biggest disappointment
tell me which do you like better,
the American Falls or the Horseshoe Falls,
I say the Horseshoe Falls, Joe says,
because its magnificence surpasses the American Falls
thank you, Joe, and did you know
when Casey Stengel managed the Yankees
he sat next to Bob Cerv on the bench one day,

What could be dafter
Than John Skelton’s laughter?
What sound more tenderly
Than his pretty poetry?
So where to rank old Skelton?
He was no monstrous Milton,
Nor wrote no “Paradise Lost,”
So wondered at by most,
Phrased so disdainfully,
Composed so painfully.
He struck what Milton missed,
Milling an English grist
With homely turn and twist.
He was English through and through,
Not Greek, nor French, nor Jew,
Though well their tongues he knew,
The living and the dead:

My negligence and backwardness in diligent attendance at the royal court resemble the case of Barzachumihr, whose merits the sages of India were discussing but could at last not reproach him with anything except slowness of speech because he delayed long and his hearers were obliged to wait till he delivered himself of what he had to say. When Barzachumihr heard of this he said: ‘It is better for me to consider what to speak than to repent of what I have spoken.’

A trained orator, old, aged,
First meditates and then speaks.

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose

The ladies men admire, I've heard,
Would shudder at a wicked word.
Their candle gives a single light;
They'd rather stay at home at night.
They do not keep awake till three,
Nor read erotic poetry.
They never sanction the impure,
Nor recognize an overture.
They shrink from powders and from paints ...
So far, I've had no complaints.

Human reason is beautiful and invincible.
No bars, no barbed wire, no pulping of books,
No sentence of banishment can prevail against it.
It establishes the universal ideas in language,
And guides our hand so we write Truth and Justice
With capital letters, lie and oppression with small.
It puts what should be above things as they are,
Is an enemy of despair and a friend of hope.
It does not know Jew from Greek or slave from master,
Giving us the estate of the world to manage.
It saves austere and transparent phrases

AFTER HAVING READ A GREAT DEAL OF GOOD CURRENT POETRY IN THE MAGAZINES AND NEWSPAPERS


Ah, they are passing, passing by,
Wonderful songs, but born to die!
Cries from the infinite human seas,
Waves thrice-winged with harmonies.
Here I stand on a pier in the foam
Seeing the songs to the beach go home,
Dying in sand while the tide flows back,
As it flowed of old in its fated track.
Oh, hurrying tide that will not hear
Your own foam children dying near
Is there no refuge-house of song,