When Dawn Comes to the City

The tired cars go grumbling by,
The moaning, groaning cars,
And the old milk carts go rumbling by
Under the same dull stars.
Out of the tenements, cold as stone,
Dark figures start for work;
I watch them sadly shuffle on,
'Tis dawn, dawn in New York.

But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing,


When Coldness Wraps This Suffering Clay

When coldness wraps this suffering clay,
Ah! whither strays the immortal mind?
It cannot die, it cannot stay,
But leaves its darken'd dust behind.
Then, unembodied, doth it trace
By steps each planet's heavenly way?
Or fill at once the realms of space,
A thing of eyes, that all survey?

Eternal, boundless, undecay'd,
A thought unseen, but seeing all,
All, all in earth or skies display'd,
Shall it survey, shall it recall:
Each fainter trace that memory holds
So darkly of departed years,


When Bryan Speaks

When Bryan speaks, the town's a hive.
From miles around, the autos drive.
The sparrow chirps. The rooster crows.
The place is kicking and alive.

When Bryan speaks, the bunting glows.
The raw procession onward flows.
The small dogs bark. The children laugh
A wind of springtime fancy blows.

When Bryan speaks, the wigwam shakes.
The corporation magnate quakes.
The pre-convention plot is smashed.
The valiant pleb full-armed awakes.

When Bryan speaks, the sky is ours,


When and Why

When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers are
painted in tints-when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music
in leaves, and why waves send their chorus of voices to the heart
of the listening earth-when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why
there is honey in the cup of the flower, and why fruits are


What the Sexton Said

Your dust will be upon the wind
Within some certain years,
Though you be sealed in lead to-day
Amid the country's tears.

When this idyllic churchyard
Becomes the heart of town,
The place to build garage or inn,
They'll throw your tombstone down.

Your name so dim, so long outworn,
Your bones so near to earth,
Your sturdy kindred dead and gone,
How should men know your worth?

So read upon the runic moon
Man's epitaph, deep-writ.
It says the world is one great grave.


What the Ghost of the Gambler Said

Where now the huts are empty,
Where never a camp-fire glows,
In an abandoned cañon,
A Gambler's Ghost arose.
He muttered there, "The moon's a sack
Of dust." His voice rose thin:
"I wish I knew the miner-man.
I'd play, and play to win.
In every game in Cripple-creek
Of old, when stakes were high,
I held my own. Now I would play
For that sack in the sky.
The sport would not be ended there.
'Twould rather be begun.
I'd bet my moon against his stars,
And gamble for the sun.


What Semiramis Said

The moon's a steaming chalice,
Of honey and venom-wine.
A little of it sipped by night
Makes the long hours divine.
But oh, my reckless lovers,
They drain the cup and wail,
Die at my feet with shaking limbs
And tender lips all pale.
Above them in the sky it bends
Empty and gray and dead.
To-morrow night 'tis full again,
Golden, and foaming red.


What Is To Be Given

What is to be given,
Is spirit, yet animal,
Colored, like heaven,
Blue, yellow, beautiful.

The blood is checkered by
So many stains and wishes,
Between it and the sky
You could not choose, for riches.

Yet let me now be careful
Not to give too much
To one so shy and fearful
For like a gun is touch.


Wet City Night

Light drunkenly reels into shadow;
Blurs, slurs uneasily;
Slides off the eyeballs:
The segments shatter.

Tree-branches cut arc-light in ragged
Fluttering wet strips.
The cup of the sky-sign is filled too full;
It slushes wine over.

The street-lamps dance a tarentella
And zigzag down the street:
They lift and fly away
In a wind of lights.


Submitted by Stephen Fryer


Welsh Landscape

To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers
In all their courses.
It is to be aware,
Above the noisy tractor
And hum of the machine
Of strife in the strung woods,
Vibrant with sped arrows.
You cannot live in the present,
At least not in Wales.
There is the language for instance,
The soft consonants
Strange to the ear.
There are cries in the dark at night
As owls answer the moon,


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