green

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Sweet Echo, sweetest nymph that liv'st unseen
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Within thy airy shell
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By slow Meander's margent green,
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And in the violet-imbroider'd vale
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Where the love-lorn nightingale
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Nightly to thee her sad song mourneth well:
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Canst thou not tell me of a gentle pair
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That likest thy Narcissus are?
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O if thou have
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Hid them in some flow'ry cave,
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Tell me but where
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Come, rest awhile, and let us idly stray
In glimmering valleys, cool and far away.

Come from the greedy mart, the troubled street,
And listen to the music, faint and sweet,

That echoes ever to a listening ear,
Unheard by those who will not pause to hear­

The wayward chimes of memory's pensive bells,
Wind-blown o'er misty hills and curtained dells.

One step aside and dewy buds unclose
The sweetness of the violet and the rose;

Song and romance still linger in the green,

Come, let us find a cottage, love,
That's green for half a mile around;
To laugh at every grumbling bee,
Whose sweetest blossom's not yet found.
Where many a bird shall sing for you,
And in your garden build its nest:
They'll sing for you as though their eggs
Were lying in your breast,
My love--
Were lying warm in your soft breast.

'Tis strange how men find time to hate,
When life is all too short for love;
But we, away from our own kind,
A different life can live and prove.

In the cowslip pips I lie,
Hidden from the buzzing fly,
While green grass beneath me lies,
Pearled with dew like fishes' eyes,
Here I lie, a clock-o'-clay,
Waiting for the time o' day.

While the forest quakes surprise,
And the wild wind sobs and sighs,
My home rocks as like to fall,
On its pillar green and tall;
When the pattering rain drives by
Clock-o'-clay keeps warm and dry.

Day by day and night by night,
All the week I hide from sight;
In the cowslip pips I lie,

Whan bells war rung, an mass was sung,
A wat a' man to bed were gone,
Clark Sanders came to Margret's window,
With mony a sad sigh and groan.

"Are ye sleeping, Margret," he says,
"Or are ye waking, presentlie?
Give me my faith and trouthe again,
A wat, trew-love, I gied to thee."

"Your faith and trouth ye's never get,
Nor our trew love shall never twain,
Till ye come with me in my bower,
And kiss me both cheek and chin."

"My mouth it is full cold, Margret,

Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.

Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor

Mark yon runnel, how ’tis flowing,
Like a sylvan spirit dreaming
Of the spring-blooms near it blowing,
And the sunlight o’er it beaming—
Bright from bank to bank, or growing
Darkly inter-freaked, when streaming
Where some willowy shade hangs bending
O’er it in green mingled masses—
Lights and shades and blossoms glowing,
All for greater beauty blending
In its vision as it passes.
Where that shelving rock is spied,
There, with a smooth warbling slide,

BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass

Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;

The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white

As powder on a mummy's face,
Or fawned with simian grace

...
Whan bells war rung, an mass was sung,
A wat a' man to bed were gone,
Clark Sanders came to Margret's window,
With mony a sad sigh and groan.

"Are ye sleeping, Margret," he says,
"Or are ye waking, presentlie?
Give me my faith and trouthe again,
A wat, trew-love, I gied to thee."

"Your faith and trouth ye's never get,
Nor our trew love shall never twain,
Till ye come with me in my bower,
And kiss me both cheek and chin."

the fibres give in to your starry warmth
a lamp is called green and sees
carefully stepping into a season of fever
the wind has swept the rivers' magic
and i've perforated the nerve
by the clear frozen lake
has snapped the sabre
but the dance round terrace tables
shuts in the shock of the marble shudder
new sober