It is yourself you seek
In a long rage,
Scanning through light and darkness
Mirrors, the page,

Where should reflected be
Those eyes and that thick hair,
That passionate look, that laughter.
You should appear

Within the book, or doubled,
Freed, in the silvered glass;
Into all other bodies
Yourself should pass.

The glass does not dissolve;
Like walls the mirrors stand;
The printed page gives back
Words by another hand.

And your infatuate eye
Meets not itself below;
Strangers lie in your arms

Maid of Athens, ere we part,
Give, oh, give back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Zoë mou sas agapo.

By those tresses unconfined,
Wooed by each Aegean wind;
By those lids whose jetty fringe
Kiss thy soft cheeks' blooming tinge;
By those wild eyes like the roe,
Zoë mou sas agapo.

By that lip I long to taste;
By that zone-encircled waist;
By all the token-flowers that tell
What words can never speak so well;

All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,

They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.

Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.

Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.

O lady! if, until this hour,
I've gazed in those bewildering eyes,
Yet never owned their touching power,
But when thou couldst not hear my sighs;
It has not been that love has slept
One single moment in my soul,
Or that on lip or look I kept
A stern and stoical control;
But that I saw, but that I felt,
In every tone and glance of thine,
Whate'er they spoke, where'er they dwelt,
How small, how poor a part was mine;
And that I deeply, dearly knew,
THAT hidden, hopeless love confessed,
The fatal words would lose me, too,

You say I O.K.ed
LONG DISTANCE?
O.K.ed it when?
My goodness, Central
That was then!

I'm mad and disgusted
With that Negro now.
I don't pay no REVERSED
CHARGES nohow.

You say, I will pay it--
Else you'll take out my phone?
You better let
My phone alone.

I didn't ask him
To telephone me.
Roscoe knows darn well
LONG DISTANCE
Ain't free.

If I ever catch him,
Lawd, have pity!
Calling me up
From Kansas City.

Just to say he loves me!
I knowed that was so.

Beaten like an old hound
Whimpering by the stove,
I complicate the pain
That smarts with promised love.
The oilstove falls, the rain,
Forecast, licks at my wound;
Ice forms, clips the green shoot,
And strikes the wren house mute.

May commoner and king,
The barren bride and nun
Begrudge the season's dues.
May children curse the sun,
Sweet briar and grass refuse
To compromise the spring,
And both sower and seed
Choke on the summer's weed.

Those promises we heard
We heard in ignorance;

All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit

What means my name to you?...T'will die
As does the melancholy murmur
Of distant waves or, of a summer,
The forest's hushed nocturnal sigh.

Found on a fading album page,
Dim will it seem and enigmatic,
Like words traced on a tomb, a relic
Of some long dead and vanished age.

What's in my name?...Long since forgot,
Erased by new, tempestuous passion,
of tenderness 'twill leave you not
The lingering and sweet impression.

But in an hour of agony,
Pray, speak it, and recall my image,
And say, "He still remembers me,

You may think, passer-by, that Fate
Is a pit-fall outside of yourself,
Around which you may walk by the use of foresight
And wisdom.
Thus you believe, viewing the lives of other men,
As one who in God-like fashion bends over an anthill,
Seeing how their difficulties could be avoided.
But pass on into life:
In time you shall see Fate approach you
In the shape of your own image in the mirror;
Or you shall sit alone by your own hearth,
And suddenly the chair by you shall hold a guest,
And you shall know that guest,