alone

Euclid alone has looked on Beauty bare.
Let all who prate of Beauty hold their peace,
And lay them prone upon the earth and cease
To ponder on themselves, the while they stare
At nothing, intricately drawn nowhere
In shapes of shifting lineage; let geese
Gabble and hiss, but heroes seek release
From dusty bondage into luminous air.
O blinding hour, O holy, terrible day,
When first the shaft into his vision shone
Of light anatomized! Euclid alone
Has looked on Beauty bare. Fortunate they

They sent you in to say farewell to me,
No, do not shake your head; I see your eyes
That shine with tears. Sappho, you saw the sun
Just now when you came hither, and again,
When you have left me, all the shimmering
Great meadows will laugh lightly, and the sun
Put round about you warm invisible arms
As might a lover, decking you with light.
I go toward darkness tho' I lie so still.
If I could see the sun, I should look up
And drink the light until my eyes were blind;

No matter how he toil and strive
The fate of every man alive
With luck will be to lie alone,
His empty name cut in a stone.
II
Grim time the fairest fame will flout,
But though his name be blotted out,
And he forgotten with his peers,
His stone may wear a year of years.
III
No matter how we sow and reap
The end of all is endless sleep;
From strife a merciful release,
From life the crowning prize of Peace.

675

Essential Oils—are wrung—
The Attar from the Rose
Be not expressed by Suns—alone—
It is the gift of Screws—

The General Rose—decay—
But this—in Lady's Drawer
Make Summer—When the Lady lie
In Ceaseless Rosemary—

She fears him, and will always ask
What fated her to choose him;
She meets in his engaging mask
All reason to refuse him.
But what she meets and what she fears
Are less than are the downward years,
Drawn slowly to the foamless weirs
Of age, were she to lose him.

Between a blurred sagacity
That once had power to sound him,
And Love, that will not let him be
The Judas that she found him,
Her pride assuages her almost
As if it were alone the cost--
He sees that he will not be lost,

If midst Rome you wish to see Rome, pilgrim,
Tho in Rome naught of Rome might you see,
Behold the walls' ring, the theatres, temples
And ruptured pillars, to rubble all turned,
Rome be these! Mark how the corpse of a city
So strong still past fortune's pomp exudes;
Subduing a world, herself the city subdued
Lest yet more to subdue might there be.
Today in broken Rome, Rome unbroken
(A substance in its shadow) lies entombed.
Within all's changed; alone past change
Tiber remains, that to sea runs mixed with sand.

Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?

Where I enjoy in contemplative chamber,
Lutes, laurels, seas of milk, and ships of amber.

Through shining crowds you now make way,
With sideling bow and golden key;
While wrapped in spleen and easy-chair,
For all this pomp so small my care,
I scarce remember who are there.
Yet in brocade I can suppose
The potent Knight whose presence goes
At least a yard before his nose:
And majesty with sweeping train,
That does so many yards contain,
Superior to her waiting nymphs,

Our Ulla lay one morning and slept,
A hand beneath her ear;
Her key alone the taverner kept
Or through its hole might peer.
Outside in the tavern, sir,
All was nocturnally quiet;
Beer was none, nor, I'll aver,
Scarce water to supply it.
On tip-toes
He comes and goes
About her bedside, brothers;
Lifts a bit
Of coverlet,
And whispers with the others.
Ulla quivers,
Snores and shivers,
O'er her head the blanket piles;
Snuggles under,
With a thunder;

NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.

How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,