beautiful

I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried

When I, good friends, was called to the Bar,
I'd an appetite fresh and hearty,
But I was, as many young barristers are,
An impecunious party.
I'd a swallow-tail coat of a beautiful blue -
A brief which was brought by a booby -
A couple of shirts and a collar or two,
And a ring that looked like a ruby!

In Westminster Hall I danced a dance,
Like a semi-despondent fury;
For I thought I should never hit on a chance
Of addressing a British Jury -
But I soon got tired of third-class journeys,

AN ARGUMENT FOR THE MAINTENANCE OF PEACE AND GOODWILL WITH THE JAPANESE PEOPLE

Glossary for the uninstructed and the hasty: Jimmu Tenno, ancestor of all the Japanese Emperors; Nikko, Japan's loveliest shrine; Iyeyasu, her greatest statesman; Bushido, her code of knighthood; The Forty-seven Ronins, her classic heroes; Nogi, her latest hero; Fuji, her most beautiful mountain.


"Now do you know of Avalon
That sailors call Japan?
She holds as rare a chivalry
As ever bled for man.
King Arthur sleeps at Nikko hill

Ye mountains and glens of Old Ireland,
I've returned home to ye again;
During my absence from ye
My heart always felt great pain.

Oh, how I long'd to see you dear Nora,
And the old folks at home;
And the beautiful Lakes o' Killarney,
Where we oft together did roam.

Ye beautiful Lakes of Killarney,
Ye are welcome to me again;
I will now reform my character,
And from all bad company refrain.

Oh, how I have long'd to see my old father
And my mother dearer than all;

The low-voiced girls that go
   In gardens of the Lord,
Like flowers of the field they grow
   In sisterly accord.

Their whispering feet are white
   Along the leafy ways;
They go in whirls of light
   Too beautiful for praise.

And in their band forsooth
   Is one to set me free --
The one that touched my youth --
   The one God gave to me.

She kindles the desire
   Whereby the gods survive --
The white ideal fire
   That keeps my soul alive.

Good people of Dundee, your voices raise,
And to Miss Baxter give great praise;
Rejoice and sing and dance with glee,
Because she has founded a College in Bonnie Dundee.

Therefore loudly in her praise sing,
And make Dundee with your voices ring,
And give honour to whom honour is due,
Because ladies like her are very few.

'Twas on the 5th day of October, in the year of 1883,
That the University College was opened in Dundee,
And the opening proceedings were conducted in the College Hall,

Beautiful Hill o' Balgay,
With your green frees and flowers fair,
'Tis health for the old and young
For to be walking there,
To breathe the fragrant air
Emanating from the green bushes
And beautiful flowers there,
Then they can through the burying-ground roam,
And read the epitaphs on the tombstones
Before they go home.
There the lovers can wander safe arm in arm,
For policemen are there to protect them from harm
And to watch there all day,
So that no accident can befall them
In the Hill o' Balgay.

Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.

Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware

'This envelope you say has something in it
Which once belonged to your dead son—or something
He knew, was fond of? Something he remembers?—
The soul flies far, and we can only call it
By things like these . . . a photograph, a letter,
Ribbon, or charm, or watch . . . '

. . . Wind flows softly, the long slow even wind,
Over the low roofs white with snow;
Wind blows, bearing cold clouds over the ocean,
One by one they melt and flow,—

Streaming one by one over trees and towers,

What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .