The Vine Oak, A Fable

A vine from noblest lineage sprung
And with the choicest clusters hung,
In purple rob'd, reclining lay,
And catch'd the noontide's fervid ray;
The num'rous plants that deck the field
Did all the palm of beauty yield;
Pronounc'd her fairest of their train
And hail'd her empress of the plain.
A neighb'ring oak whose spiry height
In low-hung clouds was hid from sight,
Who dar'd a thousand howling storms;
Conscious of worth, sublimely stood,
The pride and glory of the wood.

He saw her all defenseless lay


The Valley of the Shadow

There were faces to remember in the Valley of the Shadow,
There were faces unregarded, there were faces to forget;
There were fires of grief and fear that are a few forgotten ashes,
There were sparks of recognition that are not forgotten yet.
For at first, with an amazed and overwhelming indignation
At a measureless malfeasance that obscurely willed it thus,
They were lost and unacquainted—till they found themselves in others,
Who had groped as they were groping where dim ways were perilous.


The 'Utopia

The table was filled with many objects

The wild tribesmen in the hills,
whose very robes were decorated with designs
of a strangeness & upsetting beauty
that went much further than the richly coloured silks embroidered there could ever suggest; . . .

There were piles of books, yet each one
was of a different size and binding.
The leathers were so finely dyed. The blues
& purples, contrasting with the deceptive simplicity
of the 'natural' tans.
And this prism & arrangement of colours


The Unfading Beauty

HE that loves a rosy cheek,
   Or a coral lip admires,
Or from star-like eyes doth seek
   Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
   Gentle thoughts and calm desires,
Hearts with equal love combined,
   Kindle never-dying fires.
Where these are not, I despise
Lovely cheeks or lips or eyes.


The Two Guides Of Life - The Sublime And The Beautiful

Two genii are there, from thy birth through weary life to guide thee;
Ah, happy when, united both, they stand to aid beside thee?
With gleesome play to cheer the path, the one comes blithe with beauty,
And lighter, leaning on her arm, the destiny and duty.
With jest and sweet discourse she goes unto the rock sublime,
Where halts above the eternal sea the shuddering child of time.
The other here, resolved and mute and solemn, claspeth thee,
And bears thee in her giant arms across the fearful sea.


The Triumph

SEE the Chariot at hand here of Love,
   Wherein my Lady rideth!
Each that draws is a swan or a dove,
   And well the car Love guideth.
As she goes, all hearts do duty
   Unto her beauty;
And enamour'd do wish, so they might
   But enjoy such a sight,
That they still were to run by her side,
Through swords, through seas, whither she would ride.

Do but look on her eyes, they do light
   All that Love's world compriseth!
Do but look on her hair, it is bright


The Three Tommies

That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;


The Task Book I, The Sofa excerpts

...


Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside


The Time I've Lost

The time I've lost in wooing,
In watching and pursuing
The light that lies
In woman's eyes,
Has been my heart's undoing.
Tho' Wisdom oft has sought me,
I scorn'd the lore she brought me,
My only books
Were women's looks,
And folly's all they taught me.

Her smile when Beauty granted,
I hung with gaze enchanted,
Like him the Sprite
Whom maids by night
Oft meet in glen that's haunted.
Like him, too, Beauty won me;
But when the spell was on me,
If once their ray


The Traveller or, A Prospect of Society excerpt

...

But where to find that happiest spot below
Who can direct, when all pretend to know?
The shudd'ring tenant of the frigid zone
Boldly proclaims that happiest spot his own;
Extols the treasures of his stormy seas,
And his long nights of revelry and ease:
The naked negro, panting at the line,
Boasts of his golden sands and palmy wine,
Basks in the glare, or stems the tepid wave,
And thanks his gods for all the good they gave.
Such is the patriot's boast where'er we roam,


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