The Pleasures Of Imagination

BOOK I

With what attractive charms this goodly frame
Of Nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle pow'rs
Of musical delight! and while I sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull


The Portrait

The portrait there above my bed
They tell me is a work of art;
My Wife,--since twenty years she's dead:
Her going nearly broke my heart.
Alas! No little ones we had
To light our hearth with joy and glee;
Yet as I linger lone and sad
I know she's waiting me.

The picture? Sargent painted it,
And it has starred in many a show.
Her eyes are on me where I sit,
And follow me where'er I go.
She'll smile like that when I am gone,
And I am frail and oh so ill!
Aye, when I'm waxen, cold and wan,


The Past

I fling the past behind me, like a robe
Worn threadbare at the seams, and out of date.
I have outgrown it. Wherefore should I weep
And dwell upon its beauty, and its dyes
Of oriental splendor, or complain
That I must needs discard it? I can weave
Upon the shuttles of the future years
A fabric far more durable. Subdued,
It may be, in the blending of its hues,
Where somber shades commingle, yet the gleam
Of golden warp shall shoot it through and through,
While over all a fadeless luster lies,


The Pirates in England

Saxon Invasion, A.D. 400-600


When Rome was rotten-ripe to her fall,
And the sceptre passed from her hand,
The pestilent Picts leaped over the wall
To harry the English land.

The little dark men of the mountain and waste,
So quick to laughter and tears,
They came panting with hate and haste
For the loot of five hundred years.

They killed the trader, they sacked the shops,
They ruined temple and town--
They swept like wolves through the standing crops
Crying that Rome was down.


The Phoenix and the Turtle

Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end,
To this troop come thou not near.

From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.

Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.


The Poor Relation

No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.

Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid


The Poor Man's Lamb

NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,


The Poet's Testament

I give back to the earth what the earth gave,
All to the furrow, none to the grave,
The candle's out, the spirit's vigil spent;
Sight may not follow where the vision went.

I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.

Spared by the furies, for the Fates were kind,
I paced the pillared cloisters of the mind;
All times my present, everywhere my place,
Nor fear, nor hope, nor envy saw my face.


The Poet VIII

He is a link between this and the coming world.
He is
A pure spring from which all thirsty souls may drink.


He is a tree watered by the River of Beauty, bearing
Fruit which the hungry heart craves;
He is a nightingale, soothing the depressed
Spirit with his beautiful melodies;
He is a white cloud appearing over the horizon,
Ascending and growing until it fills the face of the sky.
Then it falls on the flows in the field of Life,
Opening their petals to admit the light.


The Poet Care

CARE is a Poet fine:
He works in shade or shine,
And leaves—you know his sign!—
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost—
A line that means Thou Wast.

Then deeper script appears:


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