. Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench

An elderly person - a prophet by trade -
With his quips and tips
On withered old lips,
He married a young and a beautiful maid;
The cunning old blade!
Though rather decayed,
He married a beautiful, beautiful maid.

She was only eighteen, and as fair as could be,
With her tempting smiles
And maidenly wiles,
And he was a trifle past seventy-three:
Now what she could see
Is a puzzle to me,
In a prophet of seventy - seventy-three!

Of all their acquaintances bidden (or bad)
With their loud high jinks

Mighty art thou, because of the peaceful charms of thy presence;
That which the silent does not, never the boastful can do.
Vigor in man I expect, the law in its honors maintaining,
But, through the graces alone, woman e'er rules or should rule.
Many, indeed, have ruled through the might of the spirit and action,
But then thou noblest of crowns, they were deficient in thee.
No real queen exists but the womanly beauty of woman;
Where it appears, it must rule; ruling because it appears!

The portrait there above my bed
They tell me is a work of art;
My Wife,--since twenty years she's dead:
Her going nearly broke my heart.
Alas! No little ones we had
To light our hearth with joy and glee;
Yet as I linger lone and sad
I know she's waiting me.

The picture? Sargent painted it,
And it has starred in many a show.
Her eyes are on me where I sit,
And follow me where'er I go.
She'll smile like that when I am gone,
And I am frail and oh so ill!
Aye, when I'm waxen, cold and wan,

No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.

Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid

NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,
Who at the treacherous Signal, soon withdrew;

I give back to the earth what the earth gave,
All to the furrow, none to the grave,
The candle's out, the spirit's vigil spent;
Sight may not follow where the vision went.

I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.

Spared by the furies, for the Fates were kind,
I paced the pillared cloisters of the mind;
All times my present, everywhere my place,
Nor fear, nor hope, nor envy saw my face.

He is a link between this and the coming world.
He is
A pure spring from which all thirsty souls may drink.


He is a tree watered by the River of Beauty, bearing
Fruit which the hungry heart craves;
He is a nightingale, soothing the depressed
Spirit with his beautiful melodies;
He is a white cloud appearing over the horizon,
Ascending and growing until it fills the face of the sky.
Then it falls on the flows in the field of Life,
Opening their petals to admit the light.
He is an angel, send by the goddess to

CARE is a Poet fine:
He works in shade or shine,
And leaves—you know his sign!—
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost—
A line that means Thou Wast.

Then deeper script appears:
The furrows of dim fears,

THEY tell you the poet is useless and empty the sound of his lyre,
That science has made him a phantom, and thinned to a shadow his fire:
Yet reformer has never demolished a dungeon or den of the foe
But the flame of the soul of a poet pulsated in every blow.

They tell you he hinders with tinklings, with gags from an obsolete stage,
The dramas of deed and the worship of Laws in a practical age:
But the deeds of to-day are the children of magical dreams he has sung,