beauty

For his sake drifting away from the true
windlessness, torn sails the aftermath
of him: white canvas suffering too vaguely
from the beautiful agreeing with these arguments,
but far away: sought him, found him

not, distant from image, archetype, the typical
sublime’s encroachments, archaeology
of his innocence which is to be destroyed. Shaped,
shaping, shapes, and shape, the neverwhere
intact, the unearth disinterred. Hermes mi amor,

mi partida, mi pobreza: him my dark
of the moon, my mare nubium, oceanus

Spanish

Vagos preludios. En la noche espléndida
Su voz de perlas una fuente calla,
Cuelgan las brisas sus celestes pifanos
En el follaje. Las cabezas pardas
De los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellos
En las lagunas pálidas.
Selene mira del azul. Las frondas
Tiemblan... y todo! hasta el silencio, calla...

Es que ella pasa con su boca triste
Y el gran misterio de sus ojos de ámbar,
A través de la noche, hacia el olvido,

THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.

June


The high grass waves, with varied hues
Of wild flowers glowing 'mid the green;
The woods have caught a deeper shade,
And darkly skirt the distant scene.

The white-throat sings from every brake
The blackbird breathes a sweet reply;
The lark's shrill fairy notes awake
The echoes of his native sky:

The pale wild rose is blushing near;
And clinging tendrils round it twine,
That throw their gay and graceful wreaths
In many a varied waving line.

Laura! a sunrise seems to break
Where'er thy happy looks may glow.
Joy sheds its roses o'er thy cheek,
Thy tears themselves do but bespeak
The rapture whence they flow;
Blest youth to whom those tears are given--
The tears that change his earth to heaven;
His best reward those melting eyes--
For him new suns are in the skies!

Thy soul--a crystal river passing,
Silver-clear, and sunbeam-glassing,
Mays into bloom sad Autumn by thee;
Night and desert, if they spy thee,

The sickness of desire, that in dark days
Looks on the imagination of despair,
Forgetteth man, and stinteth God his praise;
Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream
Of laughing enterprise and glory untold,
Is now a blackness that no stars redeem,
A wall of terror in a night of cold.
Fool! thou that hast impossibly desired
And now impatiently despairest, see
How nought is changed: Joy's wisdom is attired
Splendid for others' eyes if not for thee:

I
When I considered it too closely, when I wore it like an element
and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
little troublesome, a little terrible.

I pledged myself awhile ago not to seek refuge, neither in death
nor in a walled garden,
In lies nor gated loyalties, nor in the gates of contempt, that
easily lock the world out of doors.

Here on the rock it is great and beautiful, here on the foam-wet

"Once...Once upon a time..."
Over and over again,
Martha would tell us her stories,
In the hazel glen.

Hers were those clear gray eyes
You watch, and the story seems
Told by their beautifulness
Tranquil as dreams.

She'd sit with her two slim hands
Clasped round her bended knees;
While we on our elbows lolled,
And stared at ease.

Her voice and her narrow chin,
Her grave small lovely head,
Seemed half the meaning
Of the words she said.

Maud Muller on a summer's day
Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry gleee
The mock-bird echoed from his tree.

But when she glanced to the far-off town
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast,-

A wish that she hardly dared to own,
For something better than she had known.

In the prologue to the Masnavi Rumi hailed Love and its sweet madness that heals all infirmities, and he exhorted the reader to burst the bonds to silver and gold to be free. The Beloved is all in all and is only veiled by the lover. Rumi identified the first cause of all things as God and considered all second causes subordinate to that. Human minds recognize the second causes, but only prophets perceive the action of the first cause. One story tells of a clever rabbit who warned the lion about another lion and showed the lion his own image in a well, causing him to attack it and drown.