believe

When first I met thee, warm and young,
There shone such truth about thee,
And on thy lip such promise hung,
I did not dare to doubt thee.
I saw thee change, yet still relied,
Still clung with hope the fonder,
And thought, though false to all beside,
From me thou couldst not wander.
But go, deceiver! go,
The heart, whose hopes could make it
Trust one so false, so low,
Deserves that thou shouldst break it.

When every tongue thy follies named,
I fled the unwelcome story,

Wasn't on purpose that I drilled
through my finger or the nurse
laughed. She apologized
three times and gave me a shot
of something that was a lusher
apology. The person
who drove me home
said my smile was a smeared
totem that followed
his body that night as it arced
over a cliff in a dream.
He's always flying
in his dreams and lands
on cruise ships or hovers
over Atlanta with an erection.
He put me to bed and the drugs
wore off and I woke

*


What shall I your true love tell,
Earth forsaking maid?
What shall I your true love tell
When life's spectre's laid?
"Tell him that, our side the grave,
Maid may not believe
Life should be so sad to have,
That's so sad to leave!"
What shall I your true love tell
When I come to him?
What shall I your true love tell
Eyes growing dim?
"Tell him this, when you shall part
From a maiden pined;
That I see him with my heart,
Now my eyes are blind."

When the writing is going well,
I am a prince in a desert palace,
fountains flowing in the garden.
I lean an elbow on a velvet pillow
and drink from a silver goblet,
poems like a banquet
spread before me on rugs
with rosettes the damask of blood.
But exiled
from the palace, I wander --
crawling on burning sand,
thirsting on barren dunes,
believing a heartless mirage no less true
than palms and pools of the cool oasis.


Anonymous submission.

What counsel has the hooded moon
Put in thy heart, my shyly sweet,
Of Love in ancient plenilune,
Glory and stars beneath his feet -- -
A sage that is but kith and kin
With the comedian Capuchin?

Believe me rather that am wise
In disregard of the divine,
A glory kindles in those eyes
Trembles to starlight. Mine, O Mine!
No more be tears in moon or mist
For thee, sweet sentimentalist.

The tale of the Count our glad song shall record

Who had in this castle his dwelling,
Where now ye are feasting the new-married lord,

His grandson of whom we are telling.
The Count as Crusader had blazon'd his fame,
Through many a triumph exalted his name,
And when on his steed to his dwelling he came,

His castle still rear'd its proud head,
But servants and wealth had all fled.

'Tis true that thou, Count, hast return'd to thy home,

But matters are faring there ill.

I come from a musical place
Where they shoot me for my song
And my brother has been tortured
By my brother in my land.

I come from a beautiful place
Where they hate my shade of skin
They don't like the way I pray
And they ban free poetry.

I come from a beautiful place
Where girls cannot go to school
There you are told what to believe
And even young boys must grow beards.

I come from a great old forest
I think it is now a field
And the people I once knew
Are not there now.

My parents thought that I would be
As great as Edison or greater:
For as a boy I made balloons
And wondrous kites and toys with clocks
And little engines with tracks to run on
And telephones of cans and thread.
I played the cornet and painted pictures,
Modeled in clay and took the part
Of the villain in the "Octoroon."
But then at twenty-one I married
And had to live, and so, to live
I learned the trade of making watches
And kept the jewelry store on the square,
Thinking, thinking, thinking, thinking, --

Pond snipe, bleached pine, rue weed, wart --
I walk by sedge and brown river rot
to where the old lake boats went daily out.
All the ships are gone, the gray wharf fallen
in upon itself. Even the channel's
grown over. Once we set sail here
for Bob-Lo, the Brewery Isles, Cleveland.
We would have gone as far as Niagara
or headed out to open sea if the Captain
said so, but the Captain drank. Blood-eyed
in the morning, coffee shaking in his hand,
he'd plead to be put ashore or drowned,

One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can't seem just to say that anything is the thing it is but have to
go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience