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Landscape of a Vomiting Multitude

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,

Lament

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half

Kittens

I

A ray of sun strayed softly round,
For something to caress,
Until a resting place it found
Of joy and thankfulness;
'Twas Minette, our Angora cat,
With deep contented purr,
Relaxed in rapture on a mat,
Three kittens nuzzling her.
II
With tenderness the sunbeam kissed
her fur of silver-grey;
Her eyes held an ecstatic mist,
In boundless bliss she lay;
The sunny radiance seemed to hold
Her longer than it should,
As if it sought to shine in gold
Such mystic motherhood.
III
The darling kittens grew and grew;

Kitchen Poem

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge

King Goodheart

There lived a King, as I've been told
In the wonder-working days of old,
When hearts were twice as good as gold,
And twenty times as mellow.
Good temper triumphed in his face,
And in his heart he found a place
For all the erring human race
And every wretched fellow.
When he had Rhenish wine to drink
It made him very sad to think
That some, at junket or at jink,
Must be content with toddy:
He wished all men as rich as he
(And he was rich as rich could be),
So to the top of every tree
Promoted everybody.

Kail Yard Bard

I

A very humble pen I ply
Beneath a cottage thatch;
And in the sunny hours I try
To till my cabbage patch;
And in the gloaming glad am I
To lift the latch.
II
I do not plot to pile up pelf,
With jowl and belly fat;
To simple song I give myself,
And seek no gain at that:
Content if milk is on the shelf
To feed the cat.
III
I joy that haleness I possess,
Though fame has passed me by;
And see such gold of happiness
A-shining in the sky,

Julot The Apache

I

You've heard of Julot the apache, and Gigolette, his mome. . . .
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,

Juice

Mulberries drop; tart purple rots to wine.
Plump sparrows celebrate and gorge like swine.
Perhaps their revelry should be delayed
Since cats appreciate a marinade.

Jubilate Agno Fragment B, Part 4

For God has given us a language of monosyllables to prevent our clipping.

For a toad enjoys a finer prospect than another creature to compensate his lack.

Tho' toad I am the object of man's hate.
Yet better am I than a reprobate. who has the worst of prospects.
For there are stones, whose constituent particles are little toads.

For the spiritual musick is as follows.

For there is the thunder-stop, which is the voice of God direct.

For the rest of the stops are by their rhimes.

Jubilate Agno Fragment B, Part 1

Let Elizur rejoice with the Partridge, who is a prisoner of state and is proud of his keepers.

Let Shedeur rejoice with Pyrausta, who dwelleth in a medium of fire, which God hath adapted for him.

Let Shelumiel rejoice with Olor, who is of a goodly savour, and the very look of him harmonizes the mind.

Let Jael rejoice with the Plover, who whistles for his live, and foils the marksmen and their guns.

Let Raguel rejoice with the Cock of Portugal -- God send good Angels to the allies of England!