From child to youth; from youth to arduous man;
From lethargy to fever of the heart;
From faithful life to dream-dower'd days apart;
From trust to doubt; from doubt to brink of ban;--
Thus much of change in one swift cycle ran
Till now. Alas, the soul!--how soon must she
Accept her primal immortality,--
The flesh resume its dust whence it began?

O Lord of work and peace! O Lord of life!
O Lord, the awful Lord of will! though late,
Even yet renew this soul with duteous breath:
That when the peace is garner'd in from strife,

Eat thou and drink; to-morrow thou shalt die.
Surely the earth, that's wise being very old,
Needs not our help. Then loose me, love, and hold
Thy sultry hair up from my face; that I
May pour for thee this golden wine, brim-high,
Till round the glass thy fingers glow like gold.
We'll drown all hours: thy song, while hours are toll'd,
Shall leap, as fountains veil the changing sky.

Now kiss, and think that there are really those,
My own high-bosom'd beauty, who increase

From child to youth; from youth to arduous man;
From lethargy to fever of the heart;
From faithful life to dream-dower'd days apart;
From trust to doubt; from doubt to brink of ban;--
Thus much of change in one swift cycle ran
Till now. Alas, the soul!--how soon must she
Accept her primal immortality,--
The flesh resume its dust whence it began?

O Lord of work and peace! O Lord of life!
O Lord, the awful Lord of will! though late,
Even yet renew this soul with duteous breath:

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,

Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.

We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.

One mounts up to beauty, serenely singing,

You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting

The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.

Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.

To-morrow—what? And what of yesterday?

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—

'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .

One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.

And all the dreams that hurried along her veins