The brass medallion profile of your face I keep always.
It is not jingling with loose change in my pockets.
It is not stuck up in a show place on the office wall.
I carry it in a special secret pocket in the day
And it is under my pillow at night.
The brass came from a long ways off: it was up against hell and high water, fire and flood, before the
face was put on it.
It is the side of a head; a woman wishes; a woman waits; a woman swears behind silent lips that the
sea will bring home what is gone.

268

Me, change! Me, alter!
Then I will, when on the Everlasting Hill
A Smaller Purple grows—
At sunset, or a lesser glow
Flickers upon Cordillera—
At Day's superior close!

In 1909 toilet goods were not considered a serious matter and no special department of the catalogs were devoted to it. A few perfumes and creams were scattered here and there among bargain goods.

In 1919 an assortment of perfumes that would rival any city department store is shown, along with six pages of other toilet articles, including rouge and eyebrow pencils.

--From "How the Farmer Has Changed in a Decade: Toilet Goods," in Farm and Fireside's advertisement.


Maud Muller, on a summer's day,
Powdered her nose with Bon Sachet.

You want to know how I spend my time?
I walk the front lawn, pretending
to be weeding. You ought to know
I'm never weeding, on my knees, pulling
clumps of clover from the flower beds: in fact
I'm looking for courage, for some evidence
my life will change, though
it takes forever, checking
each clump for the symbolic
leaf, and soon the summer is ending, already
the leaves turning, always the sick trees
going first, the dying turning
brilliant yellow, while a few dark birds perform
their curfew of music. You want to see my hands?

Fair is my dove, my loved one,
None can with her compare:
Yea, comely as Jerusalem,
Like unto Tirzah fair.

Shall she in tents unstable
A wanderer abide,
While in my heart awaits her
A dwelling deep and wide?

The magic of her beauty
Has stolen my heart away:
Not Egypt's wise enchanters
Held half such wondrous sway.

Even as the changing opal
In varying luster glows,
Her face at every moment
New charms and sweetness shows.

White lilies and red roses
There blossom on one stem:

This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing

A LATE lark twitters from the quiet skies:
And from the west,
Where the sun, his day's work ended,
Lingers as in content,
There falls on the old, gray city
An influence luminous and serene,
A shining peace.

The smoke ascends
In a rosy-and-golden haze. The spires
Shine and are changed. In the valley
Shadows rise. The lark sings on. The sun,
Closing his benediction,
Sinks, and the darkening air
Thrills with a sense of the triumphing night--
Night with her train of stars
And her great gift of sleep.

A Thriving Merchant, who no Loss sustained,
In little time a mighty Fortune gain'd.
No Pyrate seiz'd his still returning Freight;
Nor foundring Vessel sunk with its own Weight:
No Ruin enter'd through dissever'd Planks;
No Wreck at Sea, nor in the Publick Banks.
Aloft he sails, above the Reach of Chance,
And do's in Pride, as fast as Wealth, advance.
His Wife too, had her Town and Country-Seat,
And rich in Purse, concludes her Person Great.

A Dutchess wears not so much Gold and Lace;
Then 'tis with Her an undisputed Case,

You pull over to the shoulder
of the two-lane
road and sit for a moment wondering
where you were going
in such a hurry. The valley is burned
out, the oaks
dream day and night of rain
that never comes.
At noon or just before noon
the short shadows
are gray and hold what little
life survives.
In the still heat the engine
clicks, although
the real heat is hours ahead.
You get out and step
cautiously over a low wire
fence and begin

I am in this low-slung sports car
painted a deep, rich yellow
driving under an Italian sun.
I have a British accent.
I'm wearing dark shades
an expensive silk shirt.
there's no dirt under my
fingernails.
the radio plays Vivaldi
and there are two women with
me
one with raven hair
the other a blonde.
they have small breasts and
beautiful legs
and they laugh at everything I
say.

as we drive up a steep road
the blonde squeezes my leg
and nestles closer
while raven hair
leans across and nibbles my