change

Black lie the hills; swiftly doth daylight flee;
And, catching gleams of sunset's dying smile,
Through the dusk land for many a changing mile
The river runneth softly to the sea.

O happy river, could I follow thee!
O yearning heart, that never can be still!
O wistful eyes, that watch the steadfast hill,
Longing for level line of solemn sea!

Have patience; here are flowers and songs of birds,
Beauty and fragrance, wealth of sound and sight,
All summer's glory thine from morn till night,

Gawaine, aware again of Lancelot
In the King’s garden, coughed and followed him;
Whereat he turned and stood with folded arms
And weary-waiting eyes, cold and half-closed—
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend?
Few live that have too many,” Gawaine said,
And wished unsaid, so thinly came the light
Between the narrowing lids at which he gazed.
“And who of us are they that name their friends?”
Lancelot said. “They live that have not any.

I THAT in heill was and gladness
Am trublit now with great sickness
And feblit with infirmitie:--
   Timor Mortis conturbat me.

Our plesance here is all vain glory,
This fals world is but transitory,
The flesh is bruckle, the Feynd is slee:--
   Timor Mortis conturbat me.

The state of man does change and vary,
Now sound, now sick, now blyth, now sary,
Now dansand mirry, now like to die:--
   Timor Mortis conturbat me.

No state in Erd here standis sicker;

E.B. Browning


I turned -- Heaven knows we women turn too much
To broken reeds, mistaken so for pine
That shame forbids confession -- a handle I turned
(The wrong one, said the agent afterwards)
And so flung clean across your English street
Through the shrill-tinkling glass of the shop-front-paused,
Artemis mazed 'mid gauds to catch a man,
And piteous baby-caps and christening-gowns,
The worse for being worn on the radiator.

. . . . . . .

My cousin Romney judged me from the bench:

A much-discerning Public hold
The Singer generally sings
And prints and sells his past for gold.

Whatever I may here disclaim,
The very clever folk I sing to
Will most indubitably cling to
Their pet delusion, just the same.


I had seen, as the dawn was breaking
And I staggered to my rest,
Tari Devi softly shaking
From the Cart Road to the crest.
I had seen the spurs of Jakko
Heave and quiver, swell and sink.
Was it Earthquake or tobacco,
Day of Doom, or Night of Drink?

Last summer, in the blue heat,
Over the beach, in the burning air,
A legless beggar lurched on calloused fists
To where I waited with the sun-dazed birds.
He said, "The summer boils away. My life
Joins to another life; this parched skin
Dries and dies and flakes away,
Becomes your costume when the torn leaves blow."

--Thus in the losing autumn,
Over the streets, I now lurch
Legless to your side and speak your name
Under a gray sky ripped apart
By thunder and the changing wind.

Being a translation of the song that was made by a Mohammedan schoolmaster of Bengal Infantry (some time on service at Suakim) when he heard that Kitchener was taking money from the English to build a Madrissa for Hubshees -- or a college for the Sudanese.


Oh Hubshee, carry your shoes in your hand and bow your head on your breast!
This is the message of Kitchener who did not break you in jest.
It was permitted to him to fulfil the long-appointed years;
Reaching the end ordained of old over your dead Emirs.

Brother, I am fire
Surging under the ocean floor.
I shall never meet you, brother—
Not for years, anyhow;
Maybe thousands of years, brother.
Then I will warm you,
Hold you close, wrap you in circles,
Use you and change you—
Maybe thousands of years, brother.

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.

We've travelled times to this old common:
Often we've hung our pots in the gorse.
We've had a stirring life, old woman!
You, and I, and the old grey horse.
Races, and fairs, and royal occasions,