A vision as of crowded city streets,
With human life in endless overflow;
Thunder of thoroughfares; trumpets that blow
To battle; clamor, in obscure retreats,
Of sailors landed from their anchored fleets;
Tolling of bells in turrets, and below
Voices of children, and bright flowers that throw
O'er garden-walls their intermingled sweets!
This vision comes to me when I unfold
The volume of the Poet paramount,
Whom all the Muses loved, not one alone; --
Into his hands they put the lyre of gold,

Standing alone, a study in itself,
How Shakespeare’s volume glorifies my shelf!
For thence his spirit forth on mine has shined,
Like a great morning on the hills of mind.
Sphered in the light of his creative powers,
A wonder-world, inorbing this of ours,
Gathers around us, like the peopled haze
That wraps some roamer in a dream’s wild ways.

Lean fatal hags ride in the troubled air,
And wing’d immortals meet us everywhere;
These of a silken loveliness that shows
Like the dim beauty of a moonlit rose;

Saturday night! Saturday night!
The hope that lingered has taken to flight;
From morning till evening, the weary week through,
In vain has he battled for something to do.
Poor man! emptyhanded, how can he return
To those whose fate hangs on the pence he may earn?
How can he reply to his questioner sweet --
"Did Papa bring Papa's girl somethin' to eat?"

Out of employ! out of employ!
Distress in the cottage where once there was joy;
How frightful the shadows that fall on the floor
When Want and Starvation appear at the door!

All around the house is the jet-black night;
It stares through the window-pane;
It crawls in the corners, hiding from the light,
And it moves with the moving flame.

Now my little heart goes a beating like a drum,
With the breath of the Bogies in my hair;
And all around the candle and the crooked shadows come,
And go marching along up the stair.

The shadow of the balusters, the shadow of the lamp,
The shadow of the child that goes to bed--
All the wicked shadows coming tramp, tramp, tramp,

September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.

She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,

It's time for tea now; but the child

Do you think that odes and sermons,
And the ringing of church bells,
And the blood of old men and young men,
Martyred for the truth they saw
With eyes made bright by faith in God,
Accomplished the world's great reformations?
Do you think that the Battle Hymn of the Republic
Would have been heard if the chattel slave
Had crowned the dominant dollar,
In spite of Whitney's cotton gin,
And steam and rolling mills and iron
And telegraphs and white free labor?
Do you think that Daisy Fraser
Had been put out and driven out

FROM Calatrava as I took my way
At holy Mary's shrine to kneel and pray,
And sleep upon my eyelids heavy lay,
There where the ground was very rough and wild,
I lost my path and met a peasant child:
From Finojosa, with the herds around her,
There in the fields I found her.

Upon a meadow green with tender grass,
With other rustic cowherds, lad and lass,
So sweet a thing to see I watched her pass:
My eyes could scarce believe her what they found her,
There with the herds around her.

I

My child and I hold hands on the way to school,
And when I leave him at the first-grade door
He cries a little but is brave; he does
Let go. My selfish tears remind me how
I cried before that door a life ago.
I may have had a hard time letting go.

Each fall the children must endure together
What every child also endures alone:
Learning the alphabet, the integers,
Three dozen bits and pieces of a stuff
So arbitrary, so peremptory,
That worlds invisible and visible

Bow down before it, as in Joseph's dream

WEEP not, my wanton, smile upon my knee;
When thou art old there 's grief enough for thee.
   Mother's wag, pretty boy,
   Father's sorrow, father's joy;
   When thy father first did see
   Such a boy by him and me,
   He was glad, I was woe;
   Fortune changed made him so,
   When he left his pretty boy,
   Last his sorrow, first his joy.
Weep not, my wanton, smile upon my knee;

After Adam Zagajewski



I am child to no one, mother to a few,
wife for the long haul.
On fall days I am happy
with my dying brethren, the leaves,
but in spring my head aches
from the flowery scents.
My husband fills a room with Mozart
which I turn off, embracing
the silence as if it were an empty page
waiting for me alone to fill it.
He digs in the black earth
with his bare hands. I scrub it
from the creases of his skin, longing
for the kind of perfection
that happens in books.
My house is my only heaven.