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God's Grief

I

"Lord God of Hosts," the people pray,
"Make strong our arms that we may slay
Our cursed foe and win the day."
"Lord God of Battles," cries the foe,
"Guide us to strike a bloody blow,
And lay the adversary low."
II
But brooding o'er the battle smother
Bewails the Lord: "Brother to brother,
Why must ye slaughter one another?
When will ye come to understand
My peace, and hand reach out to hand,
In every race, in every land?"
III
And yet, his weary words despite,
Went murderously on the fight,

God of the Open Air

I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!

God Has Pity On Kindergarten Children

God has pity on kindergarten children,
He pities school children -- less.
But adults he pities not at all.

He abandons them,
And sometimes they have to crawl on all fours
In the scorching sand
To reach the dressing station,
Streaming with blood.

But perhaps
He will have pity on those who love truly
And take care of them
And shade them
Like a tree over the sleeper on the public bench.

Perhaps even we will spend on them
Our last pennies of kindness
Inherited from mother,

God Bless Our Native Land

God bless our native land,
Land of the newly free,
Oh may she ever stand
For truth and liberty.

God bless our native land,
Where sleep our kindred dead,
Let peace at thy command
Above their graves be shed.

God help our native land,
Bring surcease to her strife,
And shower from thy hand
A more abundant life.

God bless our native land,
Her homes and children bless,
Oh may she ever stand
For truth and righteousness.

Go, songs, for ended is our brief, sweet play

Go, songs, for ended is our brief, sweet play;
Go, children of swift joy and tardy sorrow:
And some are sung, and that was yesterday,
And some are unsung, and that may be tomorrow.

Go forth; and if it be o'er stony way,
Old joy can lend what newer grief must borrow:
And it was sweet, and that was yesterday,
And sweet is sweet, though purchased with sorrow.

Go, songs, and come not back from your far way:
And if men ask you why ye smile and sorrow,
Tell them ye grieve, for your hearts know Today,

Go and Catch a Falling Star

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,

GleeThe great storm is over

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Glee—The great storm is over—
Four—have recovered the Land—
Forty—gone down together—
Into the boiling Sand—

Ring—for the Scant Salvation—
Toll—for the bonnie Souls—
Neighbor—and friend—and Bridegroom—
Spinning upon the Shoals—

How they will tell the Story—
When Winter shake the Door—
Till the Children urge—
But the Forty—
Did they—come back no more?

Then a softness—suffuse the Story—
And a silence—the Teller's eye—
And the Children—no further question—
And only the Sea—reply—

Girl's Lament

In the years when we were
all children, this inclining
to be alone so much was gentle;
others' time passed fighting,
and one had one's faction,
one's near, one's far-off place,
a path, an animal, a picture.

And I still imagined, that life
would always keep providing
for one to dwell on things within,
Am I within myself not in what's greatest?
Shall what's mine no longer soothe
and understand me as a child?

Suddenly I'm as if cast out,
and this solitude surrounds me
as something vast and unbounded,

Ginza Samba

A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged

Giant Toad

I am too big. Too big by far. Pity me.
My eyes bulge and hurt. They are my one great beauty, even
so. They see too much, above, below. And yet, there is not much
to see. The rain has stopped. The mist is gathering on my skin
in drops. The drops run down my back, run from the corners of
my downturned mouth, run down my sides and drip beneath
my belly. Perhaps the droplets on my mottled hide are pretty,
like dewdrops, silver on a moldering leaf? They chill me
through and through. I feel my colors changing now, my pig-