This plot of ground
facing the waters of this inlet
is dedicated to the living presence of
Emily Dickinson Wellcome
who was born in England; married;
lost her husband and with
her five year old son
sailed for New York in a two-master;
was driven to the Azores;
ran adrift on Fire Island shoal,
met her second husband
in a Brooklyn boarding house,
went with him to Puerto Rico
bore three more children, lost
her second husband, lived hard
for eight years in St. Thomas,
Puerto Rico, San Domingo, followed

I have great faith in all things not yet spoken.
I want my deepest pious feelings freed.
What no one yet has dared to risk and warrant
will be for me a challenge I must meet.

If this presumptious seems, God, may I be forgiven.
For what I want to say to you is this:
my efforts shall be like a driving force,
quite without anger, without timidness
as little children show their love for you.

With these outflowing, river-like, with deltas
that spread like arms to reach the open sea,
with the recurrent tides that never cease

To the City of Bombay


The Cities are full of pride,
Challenging each to each --
This from her mountain-side,
That from her burthened beach.

They count their ships full tale --
Their corn and oil and wine,
Derrick and loom and bale,
And rampart's gun-flecked line;
City by City they hail:
"Hast aught to match with mine?"

And the men that breed from them
They traffic up and down,
But cling to their cities' hem
As a child to their mother's gown.

When they talk with the stranger bands,

Inscribed to a Dear Child:
In Memory of Golden Summer Hours
And Whispers of a Summer Sea


Girt with a boyish garb for boyish task,
Eager she wields her spade: yet loves as well
Rest on a friendly knee, intent to ask
The tale he loves to tell.
Rude spirits of the seething outer strife,
Unmeet to read her pure and simple spright,
Deem if you list, such hours a waste of life,
Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,

What is yonder white thing in the forest?
Is it snow, or can it swans perchance be?
Were it snow, ere this it had been melted,
Were it swans, they all away had hastend.
Snow, in truth, it is not, swans it is not,
'Tis the shining tents of Asan Aga.
He within is lying, sorely wounded;
To him come his mother and his sister;
Bashfully his wife delays to come there.
When the torment of his wounds had lessen'd,
To his faithful wife he sent this message:
"At my court no longer dare to tarry,
At my court, or e'en amongst my people."

death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,

DEATH is stronger than all the governments because
the governments are men and men die and then
death laughs: Now you see 'em, now you don't.
Death is stronger than all proud men and so death
snips proud men on the nose, throws a pair of
dice and says: Read 'em and weep.
Death sends a radiogram every day: When I want
you I'll drop in--and then one day he comes with a
master-key and lets himself in and says: We'll
go now.
Death is a nurse mother with big arms: 'Twon't hurt

Death is a road our dearest friends have gone;
Why with such leaders, fear to say, "Lead on?"
Its gate repels, lest it too soon be tried,
But turns in balm on the immortal side.
Mothers have passed it: fathers, children; men
Whose like we look not to behold again;
Women that smiled away their loving breath;
Soft is the travelling on the road to death!
But guilt has passed it? men not fit to die?
O, hush -- for He that made us all is by!
Human we're all -- all men, all born of mothers;
All our own selves in the worn-out shape of others;

Dear Colette,
I want to write to you
about being a woman
for that is what you write to me.

I want to tell you how your face
enduring after thirty, forty, fifty. . .
hangs above my desk
like my own muse.

I want to tell you how your hands
reach out from your books
& seize my heart.

I want to tell you how your hair
electrifies my thoughts
like my own halo.

I want to tell you how your eyes
penetrate my fear
& make it melt.

I want to tell you
simply that I love you--

Poor Martha is old, and her hair is turn'd grey,
And her hearing has left her for many a year;
Ten to one if she knows what it is that you say,
Though she puts her poor wither'd hand close to her ear.

I've seen naughty children run after her fast,
And cry, "Martha, run, there's a bullock so bold;"
And when she was frighten'd, ­laugh at her at last,
Because she believed the sad stories they told.

I've seen others put their mouths close to her ear,
And make signs as if they had something to say;