At the Close of the Year

Let hearts and tongues unite,
And loud thanksgivings raise:
'Tis duty, mingled with delight,
To sing the Saviour's praise.

To him we owe our breath,
He took us from the womb,
Which else had shut us up in death,
And prov'd an early tomb.

When on the breast we hung,
Our help was in the Lord;
'Twas he first taught our infant tongue
To form the lisping word.

When in our blood we lay,
He would not let us die,
Because his love had fix'd a day
To bring salvation nigh.


As We Are So Wonderfully Done With Each Other

As we are so wonderfully done with each other
We can walk into our separate sleep
On floors of music where the milkwhite cloak of childhood lies

O my lady, my fairest dear, my sweetest, loveliest one
Your lips have splashed my dull house with the speech of flowers
My hands are hallowed where they touched over your
soft curving.

It is good to be weary from that brilliant work
It is being God to feel your breathing under me

A waterglass on the bureau fills with morning . . .


As Once the Winged Energy of Delight

As once the winged energy of delight
carried you over childhood's dark abysses,
now beyond your own life build the great
arch of unimagined bridges.

Wonders happen if we can succeed
in passing through the harshest danger;
but only in a bright and purely granted
achievement can we realize the wonder.

To work with Things in the indescribable
relationship is not too hard for us;
the pattern grows more intricate and subtle,
and being swept along is not enough.


Any Night

Look, the eucalyptus, the Atlas pine,
the yellowing ash, all the trees
are gone, and I was older than
all of them. I am older than the moon,
than the stars that fill my plate,
than the unseen planets that huddle
together here at the end of a year
no one wanted. A year more than a year,
in which the sparrows learned
to fly backwards into eternity.
Their brothers and sisters saw this
and refuse to build nests. Before
the week is over they will all
have gone, and the chorus of love


Any Man Speaks

I, after difficult entry through my mother's blood
And stumbling childhood (hitting my head against the world);
I, intricate, easily unshipped, untracked, unaligned;
Cut off in my communications; stammering; speaking
A dialect shared by you, but not you and you;
I, strangely undeft, bereft; I searching always
For my lost rib (clothed in laughter yet understanding)
To come round the corner of Wardour Street into the Square
Or to signal across the Park and share my bed;
I, focus in night for star-sent beams of light,


An Oath

(An Oath wrtitten during the Dawn Meditation)

Aiwaz! Confirm my troth with thee ! my will inspire
With secret sperm of subtle, free, creating Fire!
Mould thou my very flesh as Thine, renew my birth
In childhood merry as divine, enchenated earth!
Dissolve my rapture in Thine own, a sacred slaugther
Whereby to capture and atone the soul of water!
Fill thou my mind with gleaming Thought intense and rare
To One refined, outflung to naught, the Word of Air!
Most, bridal bound, my quintessentil Form thus freeing


An Elegy on the Death of Kenneth Patchen

A poet is born
A poet dies
And all that lies between
is us
and the world

And the world lies about it
making as if it had got his message
even though it is poetry
but most of the world wishing
it could just forget about him
and his awful strange prophecies


Along with all the other strange things
he said about the world
which were all too true
and which made them fear him
more than they loved him
though he spoke much of love

Along with all the alarms he sounded


All In The Golden Afternoon

All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes


Alan Dugan Telling Me I Have A Problem With Time

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,


Afar in the Desert

Afar in the Desert I love to ride,
With the silent Bush-boy alone by my side:
When the sorrows of life the soul o'ercast,
And, sick of the Present, I cling to the Past;
When the eye is suffused with regretful tears,
From the fond recollections of former years;
And shadows of things that have long since fled
Flit over the brain, like the ghosts of the dead:
Bright visions of glory -- that vanish too soon;
Day-dreams -- that departed ere manhood's noon;
Attachments -- by fate or by falsehood reft;


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