city

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,

Turn from that road's beguiling ease; return
to your hunger's turret. Enter, climb the stair
chill with disuse, where the croaking toad of time
regards from shimmering eyes your slow ascent
and the drip, drip, of darkness glimmers on the stone
to show you how your longing waits alone.
What alchemy shines from under that shut door,
spinning out gold from the hollow of the heart?

Enter the turret of your love, and lie
close in the arms of the sea; let in new suns
that beat and echo in the mind like sounds

I smile o'er the wrinkled blue­
Lo! the sea is fair,
Smooth as the flow of a maiden's hair;
And the welkin's light shines through
Into mid-sea caverns of beryl hue,
And the little waves laugh and the mermaids sing,
And the sea is a beautiful, sinuous thing!

I scowl in sullen guise­
The sea grows dark and dun,
The swift clouds hide the sun
But not the bale-light in my eyes,
And the frightened wind as it flies
Ruffles the billows with stormy wing,
And the sea is a terrible, treacherous thing!

Ere Greece soared, showering sovranties of light,
Ere Rome shook earth with her tremendous tread,
Ere yon blue-feasting sun-god burst blood-red,
Beneath thee slept thy prodigy, O Night!
Aeons have ta'en like dreams their strange, slow flight,
And vastest, tiniest, creatures paved her bed,
E'en cities sapped by the usurping spread
Of her imperious waves have sunk from sight
Since she first chanted her colossal psalms
That swell and sink beneath the listening stars;
Oft, as with myriad drums beating to arms,

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

The mountain road goes up and down
From Gundagai to Tumut Town
And, branching off, there runs a track
Across the foothills grim and black,

Across the plains and ranges grey
To Sydney city far away.

It came by chance one day that I
From Tumut rode to Gundagai,

And reached about the evening tide
The crossing where the roads divide;

And, waiting at the crossing place,
I saw a maiden fair of face,

With eyes of deepest violet blue,
And cheeks to match the rose in hue --

I, too, would ease my old car to a stop
on the side of some country road
and count the stars or admire a sunset
or sit quietly through an afternoon....

I'd open the door and go walking
like James Wright across a meadow,
where I might touch a pony's ear and
break into blossom; or, like Hayden

Carruth, sustained by the sight
of cows grazing in pastures at night,
I'd stand speechless in the great darkness;
I'd even search on some well-traveled road

like Phil Levine in this week's New Yorker,

In a dream I returned to the river of bees
Five orange trees by the bridge and
Beside two mills my house
Into whose courtyard a blind man followed
The goats and stood singing
Of what was older

Soon it will be fifteen years

He was old he will have fallen into his eyes

I took my eyes
A long way to the calenders
Room after room asking how shall I live

One of the ends is made of streets
One man processions carry through it
Empty bottles their
Images of hope

NO city I to Rheims would e'er prefer:
Of France the pride and honour I aver;
The Holy Ampoule and delicious wine,
Which ev'ry one regards as most divine,
We'll set apart, and other objects take:
The beauties round a paradise might make!
I mean not tow'rs nor churches, gates, nor streets;
But charming belles with soft enchanting sweets:
Such oft among the fair Rhemese we view:
Kings might be proud those graces to pursue.

ONE 'mong these belles had to the altar led,
A painter, much esteemed, and who had bread.