Come, let us to the sunways of the west,
Hasten, while crystal dews the rose-cups fill,
Let us dream dreams again in our blithe quest
O'er whispering wold and hill.
Castles of air yon wimpling valleys keep
Where milk-white mist steals from the purpling sea,
They shall be ours in the moon's wizardry,
While the fates, wearied, sleep.

The viewless spirit of the wind will sing
In the soft starshine by the reedy mere,
The elfin harps of hemlock boughs will ring
Fitfully far and near;
The fields will yield their trove of spice and musk,

Out on the wastes of the Never Never -
That's where the dead men lie!
There where the heat-waves dance forever -
That's where the dead men lie!
That's where the Earth's loved sons are keeping
Endless tryst: not the west wind sweeping
Feverish pinions can wake their sleeping -
Out where the dead men lie!

Where brown Summer and Death have mated -
That's where the dead men lie!
Loving with fiery lust unsated -
That's where the dead men lie!
Out where the grinning skulls bleach whitely
Under the saltbush sparkling brightly;

There goes the Winter, sulkily slinking
Somewhere behind the trees on the hill.
He caught a vision of sweet Spring prinking
In green before her mirror---the rill.
And he turned away
With his face quite grey,
And he went without ever a glance behind him
But I want to know
Which way does he go,
And does anyone ever try to find him?
Is he caught to the sky in a burst of thunder
And tucked away in the clouds to sleep?
Or does he go down to the sea, I wonder,
And fling himself out where the waves roll deep?
Is he washed ashore

WHEN the world is burning,
Fired within, yet turning
   Round with face unscathed;
Ere fierce flames, uprushing,
O'er all lands leap, crushing,
   Till earth fall, fire-swathed;
Up amidst the meadows,
Gently through the shadows,
   Gentle flames will glide,
Small, and blue, and golden.
Though by bard beholden,
When in calm dreams folden,--
   Calm his dreams will bide.

Where the dance is sweeping,
Through the greensward peeping,

When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows

WHEN cold December
Froze to grisamber
The jangling bells on the sweet rose-trees--
Then fading slow
And furred is the snow
As the almond's sweet husk--
And smelling like musk.
The snow amygdaline
Under the eglantine
Where the bristling stars shine
Like a gilt porcupine--
The snow confesses
The little Princesses
On their small chioppines
Dance under the orpines.
See the casuistries
Of their slant fluttering eyes--
Gilt as the zodiac
(Dancing Herodiac).
Only the snow slides

When I bring you coloured toys, my child, I understand why there
is such a play of colours on clouds, on water, and why flowers are
painted in tints-when I give coloured toys to you, my child.
When I sing to make you dance, I truly know why there is music
in leaves, and why waves send their chorus of voices to the heart
of the listening earth-when I sing to make you dance.
When I bring sweet things to your greedy hands, I know why
there is honey in the cup of the flower, and why fruits are

The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.

She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,
while I danced through Manhattan in mini skirt,

Light drunkenly reels into shadow;
Blurs, slurs uneasily;
Slides off the eyeballs:
The segments shatter.

Tree-branches cut arc-light in ragged
Fluttering wet strips.
The cup of the sky-sign is filled too full;
It slushes wine over.

The street-lamps dance a tarentella
And zigzag down the street:
They lift and fly away
In a wind of lights.


Submitted by Stephen Fryer