dance

The opals hiding your lids
as you sleep, as you ride ponies
mysteriously, spring to bloom
like the blue flowers of autumn

each nine o'clock. And curls
tumble languorously towards
the yawning rubber band, tan,
your hand pressing all that

riotous black sleep into
the quiet form of daylight
and its sunny disregard for
the luminous volutions, oh!

and the budding waltzes
we swoop through in nights.
Before dawn you roar with
your eyes shut, unsmiling,

NOW glory to the Lord of hosts, from whom all glories are!
And glory to our sovereign liege, King Henry of Navarre!
Now let there be the merry sound of music and of dance,
Through thy corn-fields green, and sunny vines, O pleasant land of France!
And thou, Rochelle, our own Rochelle, proud city of the waters,
Again let rapture light the eyes of all thy mourning daughters.
As thou went constant in our ills, be joyous in our joy;
For cold and stiff and still are they who wrought thy walls annoy.

The isles of Greece, the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus
sprung!
Eternal summer gilds them yet,
But all, except their sun, is set...

The mountains look on Marathon--
And Marathon looks on the sea;
And musing there an hour alone,
I dreamed that Greece might still be free;
For standing on the Persians' grave,
I could not deem myself a slave.

A king sat on the rocky brow
Which looks o'er sea-born Salamis;

Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men,
And made thee loathe thy life. The primal curse

Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
II
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
III
And so beneath the sheet's caress

Never again the sight of her?
Never her winsome smile
Shall light the path of my journeying
O'er many a weary mile?
Never again shall her soft voice come
To cheer me all the while?
O Thou, who hearest from above,
Tell me, is this the price of love?

Never again the touch of her lips?
Never her dark, brown eyes
Shall shine on me with the dancing joy
Of stars in the summer skies?
Never again shall my song be aught
Save minor chords of sighs?
O Thou, who hearest from above,

Always, sweetheart,
Carry into your room the blossoming boughs of cherry,
Almond and apple and pear diffuse with light, that very
Soon strews itself on the floor; and keep the radiance of spring
Fresh quivering; keep the sunny-swift March-days waiting
In a little throng at your door, and admit the one who is plaiting
Her hair for womanhood, and play awhile with her, then bid her depart.

A come and go of March-day loves
Through the flower-vine, trailing screen;
A fluttering in of doves.

Softly, slyly, flute and drum begin to weave their net
Of notes; the slow seductive beat evokes the stomp of gypsy feet
Inside some smoky dim cantina, where a woman's silhouette
Is dancing with abandon to the pulsing, pounding theme
Of the flamenco or fandango...the bolero or beguine.
It's unremitting rhythm, darkly sensual in tone,
Restrains a fierce and frenzied spirit in it's own
Measured meter...persistent and alone
Beneath the sultry overtones
Of the trumpets and trombones,

The bicycles go by in twos and threes -
There's a dance in Billy Brennan's barn to-night,
And there's the half-talk code of mysteries
And the wink-and-elbow language of delight.
Half-past eight and there is not a spot
Upon a mile of road, no shadow thrown
That might turn out a man or woman, not
A footfall tapping secrecies of stone.
I have what every poet hates in spite
Of all the solemn talk of contemplation.
Oh, Alexander Selkirk knew the plight
Of being king and government and nation.

My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.

'Tis I that smoke this cigarette,
Lounge here, and laugh for vacancy,
And watch the dancers turn; and yet
It is my very self I see
Across the cloudy cigarette.

My very self that turns and trips,
Painted, pathetically gay,
An empty song upon the lips
In make-believe of holiday:
I, I, this thing that turns and trips!