Verses on Sir Joshua Reynold's Painted Window at New College, Oxford

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,


VERSES Occasioned by a Young Lady's asking the Author, What was a Cure for Love

From me, my Dear, O seek not to receive
What e'en deep-read Experience cannot give.
We may, indeed, from the Physician's skill
Some Med'cine find to cure the body's ill.
But who e'er found the physic for the soul,
Or made th' affections bend to his controul?
When thro' the blaze of passion objects show
How dark 's the shade! how bright the colours glow!
All the rous'd soul with transport's overcome,
And the mind's surly Monitor is dumb.


In vain the sages turn their volumes o'er,


Vergissmeinnicht

Three weeks gone and the combatants gone
returning over the nightmare ground
we found the place again, and found
the soldier sprawling in the sun.

The frowning barrel of his gun
overshadowing. As we came on
that day, he hit my tank with one
like the entry of a demon.

Look. Here in the gunpit spoil
the dishonoured picture of his girl
who has put: Steffi. Vergissmeinnicht.
in a copybook gothic script.

We see him almost with content,
abased, and seeming to have paid


Venus of the Louvre

Down the long hall she glistens like a star,
The foam-born mother of Love, transfixed to stone,
Yet none the less immortal, breathing on.
Time's brutal hand hath maimed but could not mar.
When first the enthralled enchantress from afar
Dazzled mine eyes, I saw not her alone,
Serenely poised on her world-worshipped throne,
As when she guided once her dove-drawn car,--
But at her feet a pale, death-stricken Jew,
Her life adorer, sobbed farewell to love.
Here Heine wept! Here still he weeps anew,


Venetian Epigrams I

Sarcophagi, urns, were all covered with lifelike scenes,
fauns dancing with girls from a Bacchanalian choir,
paired-off, goat-footed creatures puffing their cheeks,
forcing ear-splitting notes from the blaring horns.
Cymbals and drumbeats, the marble is seen and is heard.
How delightful the fruit in the beaks of fluttering birds!
No startling noise can scare them, or scare away love,
Amor, whose torch waves more gladly in this happy throng.
So fullness overcomes death, and the ashes within


Variations of Greek Themes

I
A HAPPY MAN
(Carphyllides)

When these graven lines you see,
Traveler, do not pity me;
Though I be among the dead,
Let no mournful word be said.

Children that I leave behind,
And their children, all were kind;
Near to them and to my wife,
I was happy all my life.

My three sons I married right,
And their sons I rocked at night;
Death nor sorrow ever brought
Cause for one unhappy thought.

Now, and with no need of tears,


Vanity I

The fleet astronomer can bore
And thread the spheres with his quick-piercing mind:
He views theirs stations, walks from door to door,
Surveys, as if he had designed
To make a purchase there: he sees their dances,
And knoweth long before,
Both their full-eyed aspects, and secret glances.

The nimble diver with his side
Cuts through the working waves, that he may fetch
His dearly-earned pearl, which God did hide
On purpose from the ventrous wretch;
That he might save his life, and also hers,


Valentine

Too high, too high to pluck
My heart shall swing.
A fruit no bee shall suck,
No wasp shall sting.

If on some night of cold
It falls to ground
In apple-leaves of gold
I'll wrap it round.

And I shall seal it up
With spice and salt,
In a carven silver cup,
In a deep vault.

Before my eyes are blind
And my lips mute,
I must eat core and rind
Of that same fruit.

Before my heart is dust
By the end of all,
Eat it I must, I must


Vain Death

ALL the first night she might not weep
But watched till morning came,
And when she slept at dawn, she heard
The dead man call her name.

The second night she watched and wept
And called on death for grace,
And when she slept before the dawn
She saw the dead man’s face.

The third night through she laughed as one
That knows her way to bliss,
And in the instant ere she slept
She felt the dead man’s kiss.


Ut

[Dedicated to Allan Bennett]


I

Hail to the golden One
Seen in the midmost Sun !
Hail to the golden beard and golden lips,
His whole lige golden to the finger-tips !
Hail to the golden hair in golden showers
Hiding the eyes like blue blue lotus-flowers !
His name is Ut, for He
Hath risen above all things that be.

II

Ardent and white, the Lord
Whirls forth a strident sword.
Its blade is broader than the great World-Ash ;
Its edge is keener than the lightning flash.


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