Oh, slow to smit and swift to spare,
Gentle and merciful and just!
Who, in the fear of God, didst bear
The sword of power, a nation's trust!

In sorrow by thy bier we stand,
Amid the awe that hushes all,
And speak the anguish of a land
That shook with horror at thy fall.

Thy task is done; the bond of free;
We bear thee to an honored grave,
Whose proudest monument shall be
The broken fetters of the slave.

Pure was thy life; its bloddy close
Hath placed thee with the sons of light,

Mourn, O you Loves and Cupids
and such of you as love beauty:
my girl’s sparrow is dead,
sparrow, the girl’s delight,
whom she loved more than her eyes.
For he was sweet as honey, and knew her
as well as the girl her own mother,
he never moved from her lap,
but, hopping about here and there,
chirped to his mistress alone.
Now he goes down the shadowy road
from which they say no one returns.
Now let evil be yours, evil shadows of Orcus,
that devour everything of beauty:
you’ve stolen lovely sparrow from me.

Far and wide among the nations
Spread the name and fame of Kwasind;
No man dared to strive with Kwasind,
No man could compete with Kwasind.
But the mischievous Puk-Wudjies,
They the envious Little People,
They the fairies and the pygmies,
Plotted and conspired against him.
"If this hateful Kwasind," said they,
"If this great, outrageous fellow
Goes on thus a little longer,
Tearing everything he touches,
Rending everything to pieces,
Filling all the world with wonder,
What becomes of the Puk-Wudjies?

They put a leather belt around her
13 feet of tape and bound her
Handcuffs to secure her
And only God knows what else,
She's illegal, so deport her
Said the Empire that brought her
She died,
Nobody killed her
And she never killed herself.
It is our job to make her
Return to Jamaica
Said the Alien Deporters
Who deports people like me,
It was said she had a warning
That the officers were calling
On that deadly July morning
As her young son watched TV.

An officer unplugged the phone

We waited commonly for sleep or even death.
The instances were wearisome as ages.
But suddenly the wind's refreshing breath
Touched through the window the Holy Bible's pages:

An old man goes there - who's now all white-haired -
With rapid steps and merry eyes, alone,
He smiles to us, and often calls with hand,
And leaves us with a gait, that is well-known.

And suddenly we all, who watched the old man's track,
Well recognized just him who now lay before us,
And turning in a sudden rapture back,

A pathetic tragedy I will relate,
Concerning poor Fred. Marsden's fate,
Who suffocated himself by the fumes of gas,
On the 18th of May, and in the year of 1888, alas!

Fred. Marsden was a playwright, the theatrical world knows,
And was highly esteemed by the people, and had very few foes;
And in New York, in his bedroom, he took his life away,
And was found by his servant William in his bedroom where he lay.

The manner in which he took his life : first he locked the door,
Then closed down the window, and a sheet to shreds he tore

A Poem upon the Death of His Late Highness the Lord Protector

That Providence which had so long the care
Of Cromwell's head, and numbered every hair,
Now in itself (the glass where all appears)
Had seen the period of his golden years:
And thenceforh only did attend to trace
What death might least so fair a life deface.

The people, which what most they fear esteem,
Death when more horrid, so more noble deem,
And blame the last act, like spectators vain,
Unless the prince whom they applaud be slain.

ARGUMENT.

'Twas about the beginning of the past century
Billy Bowls was pressed into the British Navy,
And conveyed on board the "Waterwitch" without delay,
Scarce getting time to bid farewell to the villagers of Fairway.

And once on board the "Waterwitch" he resolved to do his duty,
And if he returned safe home he'd marry Nelly Blyth, his beauty;
And he'd fight for old England like a jolly British tar,
And the thought of Nelly Blyth would solace him during the war.

Poor fellow, he little thought what he had to go through,

When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!—What is the Spring to me?