dog

Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers, and sees
Silver fruit upon silver trees;
One by one the casements catch
Her beams beneath the silvery thatch;
Couched in his kennel, like a log,
With paws of silver sleeps the dog;
From their shadowy cote the white breasts peep
Of doves in silver feathered sleep
A harvest mouse goes scampering by,
With silver claws, and silver eye;
And moveless fish in the water gleam,

With an incident in which he was concerned
In the sweet shire of Cardigan,
Not far from pleasant Ivor-hall,
An old Man dwells, a little man,--
'Tis said he once was tall.
For five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.
No man like him the horn could sound,
And hill and valley rang with glee
When Echo bandied, round and round
The halloo of Simon Lee.
In those proud days, he little cared
For husbandry or tillage;

Your dog is not a dog of grace;
He does not wag the tail or beg;
He bit Miss Dickson in the face;
He bit a Bailie in the leg.

What tragic choices such a dog
Presents to visitor or friend!
Outside there is the Glasgow fog;
Within, a hydrophobic end.

Yet some relief even terror brings,
For when our life is cold and gray
We waste our strength on little things,
And fret our puny souls away.

A snarl! A scruffle round the room!

When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--

The sun was in the summer grass,
the Coolibahs* were twisted steel;
the stockman paused beneath their shade
and sat upon his heel,
and with the reins looped through his arm
he rolled tobacco in his palm.

His horse stood still, His cattle-dog
tongued in the shadow of the tree,
and for a moment on the plain
Time waited for the three,
and then the stockman licked his fag
and Time took up his solar swag.

I saw the stockman mount and ride,
across the mirage on the plain;

[Concerning O. Henry (Sidney Porter)]

"He could not forget that he was a Sidney."


Is this Sir Philip Sidney, this loud clown,
The darling of the glad and gaping town?

This is that dubious hero of the press
Whose slangy tongue and insolent address
Were spiced to rouse on Sunday afternoon
The man with yellow journals round him strewn.
We laughed and dozed, then roused and read again,
And vowed O. Henry funniest of men.
He always worked a triple-hinged surprise

I

The first rose on my rose-tree
Budded, bloomed, and shattered,
During sad days when to me
Nothing mattered.

Grief of grief has drained me clean;
Still it seems a pity
No one saw,—it must have been
Very pretty.

II

Let the little birds sing;
Let the little lambs play;
Spring is here; and so 'tis spring;—
But not in the old way!

I recall a place
Where a plum-tree grew;
There you lifted up your face,

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place

O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?

Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!

Simaetha calls on Hecate
And hears the wild dogs at the gate;
Dost thou remember Sicily?

Still by the light and laughing sea
Poor Polypheme bemoans his fate;
O Singer of Persephone!

And still in boyish rivalry
Young Daphnis challenges his mate;
Dost thou remember Sicily?

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--