Rosalind and Helen a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be


Room 4 The Painter Chap

He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .

Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.

For three days past I have not tasted food;


Ring Out Your Bells

Ring out your bells, let mourning shows be spread;
For Love is dead--
All love is dead, infected
With plague of deep disdain;
Worth, as nought worth, rejected,
And Faith fair scorn doth gain.
From so ungrateful fancy,
From such a female franzy,
From them that use men thus,
Good Lord, deliver us!

Weep, neighbours, weep; do you not hear it said
That Love is dead?
His death-bed, peacock's folly;
His winding-sheet is shame;
His will, false-seeming holy;
His sole exec'tor, blame.


Resolution and Independence

I

There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods;
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.

II

All things that love the sun are out of doors;
The sky rejoices in the morning's birth;
The grass is bright with rain-drops;--on the moors


Religion XXVI

And an old priest said, "Speak to us of Religion."

And he said:

Have I spoken this day of aught else?

Is not religion all deeds and all reflection,

And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?

Who can separate his faith from his actions, or his belief from his occupations?

Who can spread his hours before him, saying, "This for God and this for myself; This for my soul, and this other for my body?"


Recompense

Straight through my heart this fact to-day,
By Truth’s own hand is driven:
God never takes one thing away,
But something else is given.

I did not know in earlier years,
This law of love and kindness;
I only mourned through bitter tears
My loss, in sorrow’s blindness.

But, ever following each regret
O’er some departed treasure,
My sad repining heart was met
With unexpected pleasure.

I thought is only happened so;
But time this truth taught me –


ReadSweethow othersstrove

260

Read—Sweet—how others—strove—
Till we—are stouter—
What they—renounced—
Till we—are less afraid—
How many times they—bore the faithful witness—
Till we—are helped—
As if a Kingdom—cared!

Read then—of faith—
That shone above the fagot—
Clear strains of Hymn
The River could not drown—
Brave names of Men—
And Celestial Women—
Passed out—of Record
Into—Renown!


Reproach Me Not

Reproach me not e'en if I earn your indignation;
Know: of us two you are to be more envied far.
Unlike my love for you, yours is sincere, unmarred
By jealousy's mistrust, its rancour and vexation.

A wretched sorcerer, who doubts himself and stifles
Faith in the magic world by his own efforts wrought
I know myself to be... I am - O bitter thought!-
Of your warm, living soul the idol cold and lifeless.


Remembrance

How dear to me the twilight hour!
It breathes, it speaks of pleasures past;
When Laura sought this humble bower,
And o'er it courtly splendours cast.

Fond fancy's friend, dim twilight, hail!
Thou canst the absent nymph restore;
And as around thy shadows sail,
They bring the form I still adore.

Again her pensive smile I view,
Her modest eye's soft chastened fire;
And mark her cheek of tender hue
From thee a softer tint acquire.

No eye but mine in that dim hour


Rembrandt to Rembrandt

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders


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