A Gallop of Fire

When the north wind moans thro' the blind creek courses
And revels with harsh, hot sand,
I loose the horses, the wild red horses,
I loose the horses, the mad, red horses,
And terror is on the land.

With prophetic murmer the hills are humming,
The forest-kings bend and blow;
With hoofs of brass on the baked earth strumming,
O brave red horses, they hear us coming,
And the legions of death lean low.

O'er the wooded height, and the sandy hollow
Where the boles to the axe have rung,


A Fragment of Seneca Translated

After Death nothing is, and nothing, death,
The utmost limit of a gasp of breath.
Let the ambitious zealot lay aside
His hopes of heaven, whose faith is but his pride;
Let slavish souls lay by their fear
Nor be concerned which way nor where
After this life they shall be hurled.
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroyed with things unborn are kept.
Devouring time swallows us whole.
Impartial death confounds body and soul.


A Fragment of Seneca Translated

After Death nothing is, and nothing, death,
The utmost limit of a gasp of breath.
Let the ambitious zealot lay aside
His hopes of heaven, whose faith is but his pride;
Let slavish souls lay by their fear
Nor be concerned which way nor where
After this life they shall be hurled.
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroyed with things unborn are kept.
Devouring time swallows us whole.
Impartial death confounds body and soul.


A Form Of Women

I have come far enough
from where I was not before
to have seen the things
looking in at me from through the open door

and have walked tonight
by myself
to see the moonlight
and see it as trees

and shapes more fearful
because I feared
what I did not know
but have wanted to know.

My facd is my own, I thought.
But you have seen it
turn into a thousand years.
I watched you cry.

I could not touch you.
I wanted very much to
touch you
but could not.


A Folk Song

I came to your town, my love,
   And you were away, away!
I said "She is with the Queen's maidens:
   They tarry long at their play.
They are stringing her words like pearls
To throw to the dukes and earls."
   But O, the pity!
I had but a morn of windy red
To come to the town where you were bred,
   And you were away, away!

I came to your town, my love,
   And you were away, away!
I said, "She is with the mountain elves
   And misty and fair as they.


A Fit of Rhyme against Rhyme

Rhyme, the rack of finest wits,
That expresseth but by fits
True conceit,
Spoiling senses of their treasure,
Cozening judgment with a measure,
But false weight;
Wresting words from their true calling,
Propping verse for fear of falling
To the ground;
Jointing syllabes, drowning letters,
Fast'ning vowels as with fetters
They were bound!
Soon as lazy thou wert known,
All good poetry hence was flown,
And art banish'd.


A Description of a City Shower

Careful Observers may fortel the Hour
(By sure Prognosticks) when to dread a Show'r:
While Rain depends, the pensive Cat gives o'er
Her Frolicks, and pursues her Tail no more.
Returning Home at Night, you'll find the Sink
Strike your offended Sense with double Stink.
If you be wise, then go not far to Dine,
You spend in Coach-hire more than save in Wine.
A coming Show'r your shooting Corns presage,
Old Aches throb, your hollow Tooth will rage.
Sauntring in Coffee-house is Dulman seen;


A Beautiful Young Nymph Going To Bed

Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,


A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast, with a large square sail hiding a great deal of the sky and sea on that side. The tiller is at the left of the stage; it is a long oar coming through an opening in the bulwark. The deck rises in a series of steps hehind the tiller, and the stern of the ship curves overhead. When the play opens there are four persons upon the deck. Aibric stands by the tiller. Forgael sleeps upon the raised portion of the deck towards the front of the stage. Two Sailors are standing near to the mast, on which a harp is hanging.


A Dialog

I.

Death, if thou wilt, fain would I plead with thee:
Canst thou not spare, of all our hopes have built,
One shelter where our spirits fain would be,
Death, if thou wilt?

No dome with suns and dews impearled and gilt,
Imperial: but some roof of wildwood tree,
Too mean for sceptre's heft or swordblade's hilt.

Some low sweet roof where love might live, set free
From change and fear and dreams of grief or guilt;
Canst thou not leave life even thus much to see,
Death, if thou wilt?

II.


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