When daisies pied, and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!

Sow in the morn thy seed,
At eve hold not thy hand;
To doubt and fear give thou no heed,
Broadcast it o’er the land.

Thou know’st not which may thrive,
The late or early sown;
God keeps His precious seed alive,
When and wherever thrown.

Thou canst not toil in vain;
Cold, heat, and moist, and dry,
Shall foster and mature the grain
For garners in the sky.

Thence, when the glorious end,
The day of God is come,
The angels reapers shall descend,
And heav’n cry, “Harvest Home.”

TO me, fair friend, you never can be old;
For as you were when first your eye I eyed,
Such seems your beauty still. Three Winters cold
Have from the forests shook three Summers' pride;
Three beauteous springs to yellow Autumn turn'd
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn'd,
Since first I saw you fresh, which yet are green.
Ah! yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,

Not with libations, but with shouts and laughter
We drenched the altars of Love's sacred grove,
Shaking to earth green fruits, impatient after
The launching of the colored moths of Love.
Love's proper myrtle and his mother's zone
We bound about our irreligious brows,
And fettered him with garlands of our own,
And spread a banquet in his frugal house.
Not yet the god has spoken; but I fear
Though we should break our bodies in his flame,
And pour our blood upon his altar, here
Henceforward is a grove without a name,

Oh Sigh! thou steal'st, the herald of the breast,
The lover's fears, the lover's pangs to tell;
Thou bid'st with timid grace the bosom swell,
Cheating the day of joy, the night of rest!
Oh! lucid Tears! with eloquence confest,
Why on my fading cheek unheeded dwell,
Meek, as the dew-drops on the flowret's bell
By ruthless tempests to the green-sod prest.
Fond sigh be hush'd! congeal, O! slighted tear!
Thy feeble pow'rs the busy Fates control!
Or if thy crystal streams again appear,
Let them, like Lethe's, oblivion roll:

O why doth Delia credit so her glass,
Gazing her beauty deign'd her by the skies,
And doth not rather look on him (alas)
Whose state best shows the force of murd'ring eyes?
The broken tops of lofty trees declare
The fury of a mercy-wanting storm;
And of what force your wounding graces are,
Upon my self you best may find the form.
Then leave your glass, and gaze your self on me,
That Mirror shows what power is in your face;
To view your form too much may danger be:
Narcissus chang'd t'a flower in such a case.

When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear ... O love, O troth ...
Lest these enclasped hands should never hold,
This mutual kiss drop down between us both
As an unowned thing, once the lips being cold.

Some, when in rhyme they of their loves do tell,
With flames and lightnings their exordiums paint;
Some call on Heav'n, some invocate on Hell,
And Fates and Furies with their woes acquaint.
Elysium is too high a seat for me;
I will not come in Styx or Phlegethon;
The thrice-three Muses but too wanton be;
Like they that lust, I care not; I will none.
Spiteful Erinnys frights me with her looks;
My manhood dares not with foul Ate mell;
I quake to look on Hecate's charming books;
I still fear bugbears in Apollo's cell.

Charm'd by thy suffrage, shall I yet aspire
(All inauspicious as my fate appears,
By troubles darken'd, that encrease with years,)
To guide the crayon, or to touch the lyre?
Ah me!---the sister Muses still require
A spirit free from all intrusive fears,
Nor will they deign to wipe away the tears
Of vain regret, that dim their sacred fire.
But when thy envied sanction crowns my lays,
A ray of pleasure lights my languid mind,
For well I know the value of thy praise;
And to how few, the flattering meed confin'd,

Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion--that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies