fire

Thus to be chain'd for ever, can I bear?
A very torment that, in truth, would be.
This very day my new resolve shall see.--
I'll not go near the lately-worshipp'd Fair.
Yet what excuse, my heart, can I prepare
In such a case, for not consulting thee?
But courage! while our sorrows utter we
In tones where love, grief, gladness have a share.
But see! the minstrel's bidding to obey,
Its melody pours forth the sounding lyre,
Yearning a sacrifice of love to bring.
Scarce wouldst thou think it--ready is the lay;

SEE how it flashes,
This grape-blood fine!—
Our beards it splashes,
O comrade mine!—
Life dust and ashes
Were, wanting wine.
Amontillado
Fires heart and eyes;
Champagne the shadow
Of care defies;
An El Dorado
In Rhine-wine lies;

Port has the mintage
Of generous deeds;
Tokay scorns stintage
And richly bleeds;
But this great vintage
The Wine-March leads.

Yet it is wanting
In poesy;
No legends haunting

God, if this were enough,
That I see things bare to the buff
And up to the buttocks in mire;
That I ask nor hope nor hire,
Nut in the husk,
Nor dawn beyond the dusk,
Nor life beyond death:
God, if this were faith!
II
Having felt thy wind in my face
Spit sorrow and disgrace,
Having seen thine evil doom
In Golgotha and Khartoum,
And the brutes, the work of thine hands,
Fill with injustice lands
And stain with blood the sea:
If still in my veins the glee
Of the black night and the sun

To the Williamson Brothers


High noon. White sun flashes on the Michigan Avenue
asphalt. Drum of hoofs and whirr of motors.
Women trapsing along in flimsy clothes catching
play of sun-fire to their skin and eyes.

Inside the playhouse are movies from under the sea.
From the heat of pavements and the dust of sidewalks,
passers-by go in a breath to be witnesses of
large cool sponges, large cool fishes, large cool valleys
and ridges of coral spread silent in the soak of

I'm scared of it all, God's truth! so I am;
It's too big and brutal for me.
My nerve's on the raw and I don't give a damn
For all the "hoorah" that I see.
I'm pinned between subway and overhead train,
Where automobillies swoop down:
Oh, I want to go back to the timber again --
I'm scared of the terrible town.
II
I want to go back to my lean, ashen plains;
My rivers that flash into foam;
My ultimate valleys where solitude reigns;
My trail from Fort Churchill to Nome.

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or a winding path? The edge is what I have.

Sometimes we collide, tectonic plates merging,
continents shoving, crumpling down into the molten
veins of fire deep in the earth and raising
tons of rock into jagged crests of Sierra.

Sometimes your hands drift on me, milkweed's
airy silk, wingtip's feathery caresses,
our lips grazing, a drift of desires gathering
like fog over warm water, thickening to rain.

Sometimes we go to it heartily, digging,
burrowing, grunting, tossing up covers
like loose earth, nosing into the other's

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,

You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.

From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house

If you refuse me once, and think again,
I will complain.
You are deceiv'd, love is no work of art,
It must be got and born,
Not made and worn,
By every one that hath a heart.

Or do you think they more than once can die,
Whom you deny?
Who tell you of a thousand deaths a day,
Like the old poets feign
And tell the pain
They met, but in the common way?

Or do you think 't too soon to yield,
And quit the field?
Nor is that right, they yield that first entreat;
Once one may crave for love,