The Pardah Nashin

HER life is a revolving dream
Of languid and sequestered ease;
Her girdles and her fillets gleam
Like changing fires on sunset seas;
Her raiment is like morning mist,
Shot opal, gold and amethyst.


From thieving light of eyes impure,
From coveting sun or wind's caress,
Her days are guarded and secure
Behind her carven lattices,
Like jewels in a turbaned crest,
Like secrets in a lover's breast.


But though no hand unsanctioned dares
Unveil the mysteries of her grace,


The Paradox

No Lover saith, I love, nor any other
Can judge a perfect Lover;
Hee thinkes that else none can, nor will agree
That any loves but hee;
I cannot say I'lov'd. for who can say
Hee was kill'd yesterday?
Lover withh excesse of heat, more yong than old,
Death kills with too much cold;
Wee dye but once, and who lov'd last did die,
Hee that saith twice, doth lye:
For though hee seeme to move, and stirre a while,
It doth the sense beguile.
Such life is like the light which bideth yet
When the lights life is set,


The Other Side of a Mirror

I sat before my glass one day,
And conjured up a vision bare,
Unlike the aspects glad and gay,
That erst were found reflected there -
The vision of a woman, wild
With more than womanly despair.
Her hair stood back on either side
A face bereft of loveliness.
It had no envy now to hide
What once no man on earth could guess.
It formed the thorny aureole
Of hard, unsanctified distress.

Her lips were open - not a sound
Came though the parted lines of red,


The Only Child

Lest he miss other children, lo!
His angel is his playfellow.
A riotous angel two years old,
With wings of rose and curls of gold.

There on the nursery floor together
They play when it is rainy weather,
Building brick castles with much pain,
Only to knock them down again.

Two golden heads together look
An hour long o'er a picture-book,
Or, tired of being good and still,
They play at horses with good will.

And when the boy laughs you shall hear
Another laughter silver-clear,


The 'Ole in the Ark

One evening at dusk as Noah stood on his Ark,
Putting green oil in starboard side lamp,
His wife came along and said, 'Noah, summat's wrong,
Our cabin is getting quite damp.

Noah said, 'Is that so?' Then he went down below,
And found it were right what she'd said,
For there on the floor quite a puddle he saw,
It was slopping around under t' bed.

Said he, 'There's an 'ole in the bottom somewhere,
We must find it before we retire.'
Then he thowt for a bit, and he said 'Aye, that's it,


The Old Witch in the Copse

I am a Witch, and a kind old Witch,
There's many a one knows that--
Alone I live in my little dark house
With Pillycock, my cat.
A girl came running through the night,
When all the winds blew free:--
"O mother, change a young man's heart
That will not look on me.
O mother, brew a magic mead
To stir his heart so cold."
"Just as you will, my dear," said I;
"And I thank you for your gold."
So here am I in the wattled copse
Where all the twigs are brown,
To find what I need to brew my mead


The Old Wife and the New

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;


The Old Liberators

Of all the people in the mornings at the mall,
It's the old liberators I like best,
Those veterans of the Bulge, Anzio, or Monte Cassino
I see lost in Automotive or back in Home Repair,
Bored among the paints and power tools.
Or the really old ones, the ones who are going fast,
Who keep dozing off in the little orchards
Of shade under the distant skylights.
All around, from one bright rack to another,
Their wives stride big as generals,
Their handbags bulging like ripe fruit.
They are almost all gone now,


The Old Black Billy an' Me

The sheep are yarded, an’ I sit
Beside the fire an’ poke at it.
Far from talk an’ booze o’ men
Glad, I’m glad I’m back agen
On the station, wi’ me traps

An’ fencin’ wire, an’ tanks an’ taps,
Back to salt-bush plains, an’ flocks,
An’ old bark hut be the apple-box.
I turn the slipjack, make the tea,
All’s as still as still can be -
An’ the old black billy winks at me.


The Odyssey Book 9

And Ulysses answered, "King Alcinous, it is a good thing to hear a
bard with such a divine voice as this man has. There is nothing better
or more delightful than when a whole people make merry together,
with the guests sitting orderly to listen, while the table is loaded
with bread and meats, and the cup-bearer draws wine and fills his
cup for every man. This is indeed as fair a sight as a man can see.
Now, however, since you are inclined to ask the story of my sorrows,
and rekindle my own sad memories in respect of them, I do not know how


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