What's greater, Pebble or Pond?
What can be known? The Unknown.
My true self runs toward a Hill
More! O More! visible.

Now I adore my life
With the Bird, the abiding Leaf,
With the Fish, the questing Snail,
And the Eye altering All;
And I dance with William Blake
For love, for Love's sake;

And everything comes to One,
As we dance on, dance on, dance on.

(PHILADELPHIA, 1794)

Roar of the rushing train fearfully rocking,
Impatient people jammed in line for food,
The rasping noise of cars together knocking,
And worried waiters, some in ugly mood,
Crowding into the choking pantry hole
To call out dishes for each angry glutton
Exasperated grown beyond control,
From waiting for his soup or fish or mutton.
At last the station's reached, the engine stops;
For bags and wraps the red-caps circle round;
From off the step the passenger lightly hops,
And seeks his cab or tram-car homeward bound;

These dolphins twisting each on either side
For joy leapt upp, and gazing there abide;
And whereas other waters fish doe bring,
Here from the fishes doe the waters spring,
Who think it is more glorious to give
Than to receive the juice whereby they live:
And by this milk-white bason learne you may
That pure hands you should bring or beare away,
For which the bason wants no furniture,
Each dolphin wayting makes his mouth an ewer,
Your welcome then you well may understande
When fish themselves give water to your hand.

RORATE coeli desuper!
   Hevins, distil your balmy schouris!
For now is risen the bricht day-ster,
   Fro the rose Mary, flour of flouris:
   The cleir Sone, quhom no cloud devouris,
Surmounting Phebus in the Est,
   Is cumin of his hevinly touris:
   Et nobis Puer natus est.

Archangellis, angellis, and dompnationis,
   Tronis, potestatis, and marteiris seir,
And all ye hevinly operationis,

'Twas on a lofty vase's side,
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind,
The pensive Selima, reclined,
Gazed on the lake below.

Her conscious tail her joy declared;
The fair round face, the snowy beard,
The velvet of her paws,
Her coat, that with the tortoise vies,
Her ears of jet, and emerald eyes,
She saw; and purred applause.

Still had she gazed; but 'midst the tide
Two angel forms were seen to glide,
The genii of the stream:
Their scaly armour's Tyrian hue

I know no paynt of poetry
Can mend such colourd Imag'ry
In sullen inke: yet Fayrford, I
May relish thy fayre memory.


Such is the Ecchoes faynter sound,
Such is the light when sunne is drownd;
So did the fancy looke upon
The worke before it was begunne:
Yet when those shewes are out of sight
My weaker colours may delight.


Those Images so faythfully
Report true feature to the eye
As you may thinke each picture was
Some visage in a looking-glasse;
Not a glasse-window face, unlesse

Old well,
a fish leaps--
dark sound.

Translated by Robert Hass

He dreamed away his hours in school;
He sat with such an absent air,
The master reckoned him a fool,
And gave him up in dull despair.

When other lads were making hay
You'd find him loafing by the stream;
He'd take a book and slip away,
And just pretend to fish . . . and dream.

His brothers passed him in the race;
They climbed the hill and clutched the prize.
He did not seem to heed, his face
Was tranquil as the evening skies.

He lived apart, he spoke with few;
Abstractedly through life he went;

There's a piping wind from a sunrise shore
Blowing over a silver sea,
There's a joyous voice in the lapsing tide
That calls enticingly;
The mist of dawn has taken flight
To the dim horizon's bound,
And with wide sails set and eager hearts
We're off to the fishing ground.

Ho, comrades mine, how that brave wind sings
Like a great sea-harp afar!
We whistle its wild notes back to it
As we cross the harbor bar.
Behind us there are the homes we love
And hearts that are fond and true,
And before us beckons a strong young day