I hug you, -
Both the rainbow to the river
And the clouds flame
In God's hand.
You laugh, - rain in the sun,
The mignonette bedewed,
And cunning is
A lilac star with eyelash.
Like a cloven comet
Figaro clowns.
Mozart's Tarot
Is cryptic and clear.
Lethean bliss
Sleeps sweet in trombones,
A tarry monastery rings
in a copse of violins.
What shadows does
a gaze cast into space?
You don't know? And you mustn't
look back, my friend.
Whose heart begins to glisten
at the blue, blue Si?

He was my best and oldest friend.
I'd known him all my life.
And yet I'm sure towards the end
He knew I loved his wife,
And wonder, wonder if it's why
He came so dreadfully to die.

He drove his car at racing speed
And crashed into a tree.
How could he have so little heed?
A skillful driver he.
I think he must have found that day
Some love-letters that went astray.

I looked into the woman's eyes
And there I saw she knew.
There was no shadow of surmise, -
For her himself he slew:
That he might leave her free to wed

Oh, Mulligan's bar was the deuce of a place
To drink, and to fight, and to gamble and race;
The height of choice spirits from near and from far
Were all concentrated on Mulligan's bar.

There was "Jerry the Swell", and the jockey-boy Ned,
"Dog-bite-me" -- so called from the shape of his head --
And a man whom the boys, in their musical slang,
Designated the "Gaffer of Mulligan's Gang".

Now Mulligan's Gang had a racer to show,
A bad un to look at, a good un to go;
Whenever they backed her you safely might swear

The sun, which doth the greatest comfort bring
To absent friends (because the self-same thing
They know they see, however absent), is
Here our best hay-maker (forgive me this,
It is our country style); in this warm shine
I lie, and dream of your full Mermaid wine.
Oh, we have water mixed with claret-lees,
Drink apt to bring in drier heresies
Than beer, good only for the sonnet strain,
With fustian metaphors to stuff the brain;
So mixed that given to the thirstiest one
'Twill not prove alms unless he have the stone.

Old Eben Flood, climbing alone one night
Over the hill between the town below
And the forsaken upland hermitage
That held as much as he should ever know
On earth again of home, paused warily.
The road was his with not a native near;
And Eben, having leisure, said aloud,
For no man else in Tilbury Town to hear:

"Well, Mr. Flood, we have the harvest moon
Again, and we may not have many more;
The bird is on the wing, the poet says,
And you and I have said it here before.
Drink to the bird." He raised up to the light

Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.

In this war we're always moving,
Moving on;
When we make a friend another friend has gone;
Should a woman's kindly face
Make us welcome for a space,
Then it's boot and saddle, boys, we're
Moving on.
In the hospitals they're moving,
Moving on;
They're here today, tomorrow they are gone;
When the bravest and the best
Of the boys you know "go west",
Then you're choking down your tears and
Moving on.

Those of you that have got through the rest, I am going to rapidly
Devote a little time to showing you, those that can master it,
A few ideas about tactics, which must not be confused
With what we call strategy. Tactics is merely
The mechanical movement of bodies, and that is what we mean by it.
Or perhaps I should say: by them.

Strategy, to be quite frank, you will have no hand in.
It is done by those up above, and it merely refers to,
The larger movements over which we have no control.
But tactics are also important, together or single.

Two little children sit by my side,
I call them Lily and Daffodil;
I gaze on them with a mother's pride,
One is Edna, the other is Will.

Both have eyes of starry light,
And laughing lips o'er teeth of pearl.
I would not change for a diadem
My noble boy and darling girl.

To-night my heart o'erflows with joy;
I hold them as a sacred trust;
I fain would hide them in my heart,
Safe from tarnish of moth and rust.

What should I ask for my dear boy?
The richest gifts of wealth or fame?

I never made a poem, dear friend--
I never sat me down, and said,
This cunning brain and patient hand
Shall fashion something to be read.
Men often came to me, and prayed
I should indite a fitting verse
For fast, or festival, or in
Some stately pageant to rehearse.
(As if, than Balaam more endowed,
I of myself could bless or curse.)

Reluctantly I bade them go,
Ungladdened by my poet-mite;
My heart is not so churlish but
Its loves to minister delight.

But not a word I breathe is mine