There is a country to cross you will
find in the corner of your eye, in
the quick slip of your foot--air far
down, a snap that might have caught.
And maybe for you, for me, a high, passing
voice that finds its way by being
afraid. That country is there, for us,
carried as it is crossed. What you fear
will not go away: it will take you into
yourself and bless you and keep you.
That's the world, and we all live there.

AS doctors give physic by way of prevention,
   Mat, alive and in health, of his tombstone took care;
For delays are unsafe, and his pious intention
   May haply be never fulfill'd by his heir.

Then take Mat's word for it, the sculptor is paid;
   That the figure is fine, pray believe your own eye;
Yet credit but lightly what more may be said,
   For we flatter ourselves, and teach marble to lie.

Yet counting as far as to fifty his years,

Snowfall in March:
I sit in the white glow reading a thesis
About you. Your poems, your life.

The author's my student,
He even quotes me.

Forty years since we joked in a kitchen in Portland
Twenty since you disappeared.

All those years and their moments—
Crackling bacon, slamming car doors,
Poems tried out on friends,
Will be one more archive,
One more shaky text.

But life continues in the kitchen
Where we still laugh and cook,
Watching snow.


Anonymous submission.

Blow out the candles of your cake.
They will not leave you in the dark,
Who round with grace this dusky arc
Of the grand tour which souls must take.

You who have sounded William Blake,
And the still pool, to Plato's mark,
Blow out the candles of your cake.
They will not leave you in the dark.

Yet, for your friends' benighted sake,
Detain your upward-flying spark;
Get us that wish, though like the lark
You whet your wings till dawn shall break:
Blow out the candles of your cake.

the sky sinks its blue teeth
into the mountains.

Rising on pure will

(the lurch & lift-off,
the sudden swing
into wide, white snow),

I encourage the cable.

Past the wind
& crossed tips of my skis
& the mauve shadows of pines
& the spoor of bears
& deer,

I speak to my fear,

rising, riding,
finding myself

the only thing
between snow & sky,

the link
that holds it all together.

Halfway up the wire,
we stop,
slide back a little

You have read War and Peace.
Now here is Sister Carrie,
not up to Tolstoy; still
it will second the real world:
predictable planes and levels,
pavement that holds you,
stairs that lift you,
ice that trips you,
nights that begin after sunset,
four lunar phases,
a finite house.

I give you Dreiser
although (or because)
I am no longer sure.
Lately I have been walking into glass doors.
Through the car windows, curbs disappear.
On the highway, wrong turnoffs become irresistible,
someone else is controlling the wheel.

What mystery was this; that I should finde
My blood in kissing you to stay behinde?
'Twas not for want of color that requirde
My blood for paynt: No dye could be desirde
On that fayre silke, where scarlett were a spott
And where the juice of lillies but a blotte.
'Twas not the signe of murther that did taynt
The harmlesse beauty of so pure a saynt:
Yes, of a loving murther, which rough steele
Could never worke; such as we joy to feele:
Wherby the ravisht soule though dying lives,
Since life and death the selfsame object gives.

If to her eyes' bright lustre I were blind,
No longer would they serve my life to gild.
The will of destiny must be fulfilid,--
This knowing, I withdrew with sadden'd mind.
No further happiness I now could find:
The former longings of my heart were still'd;
I sought her looks alone, whereon to build
My joy in life,--all else was left behind.
Wine's genial glow, the festal banquet gay,
Ease, sleep, and friends, all wonted pleasures glad
I spurn'd, till little there remain'd to prove.
Now calmly through the world I wend my way:

There was no one like 'im, 'Orse or Foot,
Nor any o' the Guns I knew;
An' because it was so, why, o' course 'e went an' died,
Which is just what the best men do.

So it's knock out your pipes an' follow me!
An' it's finish up your swipes an' follow me!
Oh, 'ark to the big drum callin',
Follow me -- follow me 'ome!

'Is mare she neighs the 'ole day long,
She paws the 'ole night through,
An' she won't take 'er feed 'cause o' waitin' for 'is step,
Which is just what a beast would do.

It's not that the Muse feels like clamming up,
it's more like high time for the lad's last nap.
And the scarf-waving lass who wished him the best
drives a steamroller across his chest.

And the words won't rise either like that rod
or like logs to rejoin their old grove's sweet rot,
and, like eggs in the frying pan, the face
spills its eyes all over the pillowcase.

Are you warm tonight under those six veils
in that basin of yours whose strung bottom wails;
where like fish that gasp at the foreign blue